"All I see are dead people."
The film is not, perhaps, quite in the very first rank or as good as Gilliam's own Brazil (of which the style of the future scenes, with its panel of eccentric scientists). Yet it is, nevertheless, a superb little meditation on time travel, circulat time travel paradoxes, and the subjectivity of memory. It is also, inevitably for a plot based on time paradoxes, a meditation on fate and the idea that, as we do not have much agency in our lives, we may as well enjoy the ride. The influence of La Jetee was, I'm told, important: I must see that film some time.
It's also a triumpant performance from Bruce Willis, who always has been a much better actor than his usual action film roles may imply. But there's also a solid performance from Madeleine Stowe, and a gloriously unhinged one from Brad Pitt. It's also good to see a prominent part for an older Frank Gorshin, the Riddler himself.
More than anything, though, this is anothef splendid film from the unique mind and aesthetic of Terry Gilliam, establishing himself firmly as a proper Hollywood auteur. The old Monty Python animator done good.
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