“Jet Jaguar grew up."
This film is utterly, hopelessly, delightfully bonkers. Let's briefly examine the plot: an underwater civilisation that was submerged three million years is somewhat irked by a nuclear test (usual subtext then) and sends a monster called Megalon to destroy Tokyo in revenge, and totally not, say, New York or Vladivostok. Oh, and there are some human characters (not a single female in the whole film!) who have invented a frienly and very Japanese robot which, randomly, can change size to fight monsters. Oh, and the sea people call upon their alien mate to send Gigan from the last film, because the studio spent money on the prop and they're bloody well going to use this.
We can conclude two things from this. One: Japan was clearly reading Erich Von Daniken as much as everybody else in 1973. Two: this is B movie gold.
What's not to love here? I mean, Godzilla and the robot even shake hands after defeating the body. Oh, and the sea people have some vague connection to Easter Island- those megaliths are three million years old, apparently. And some of the sea people, who live under the Pacific, are Caucasian. But we probably ought to worry less about this and more about how these humans, who diverged three million years ago, seem to be anatomically modern. But let's not, and nor should we think too hard about how pe-modern hominids could have had such a hi-tech civilisation.
This is enormously entertaining, delihtfully dated and superbly un-selfconscious fun. More please.
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