It's an oddly comedic film, with the usual comedy heroic duo out-slapsticked by their absurd boss, but this approach works in a film which was always going to subsist as a piece of low camp at its most loveable. The costumes obviously have men inside, the tanks are obviously models, and it's amusing so see the camera pan slowly around an electrical substation later on, confirming via the grammar of such films that the substation will later be destroyed in exciting fashion.
We begin with parallel plotlines as an expendable American nuclear submarine awakens Godzilla and is quickly destroyed, while our comedy heroes investigate that island from King Kong for reasons which are said to relate to the advertising of pharmaceuticals but make no sense whatsoever.
The island is a pretty good copy of the 1933 original except, of course, that the "natives" are all Japanese extras in blackface. Oh dear. There's also a very silly scene in which the island chief is amused by a transistor radio as our comedy heroes give out free cigarettes to all and sundry, including a little kid. Oh dear.
There are plenty of exciting set pieces, including an inconclusive early battle between the two monsters where Kong is sent running. Kong also gets a pretty girl to snatch out of a rail carriage and take to the top of a building, as he's contractually obliged to do. Plenty of model tanks again appear and poor old Tokyo, which can't have been rebuilt for very long, is trashed once more.
We end with a suitably epic clash ending up with Kong swimming home, as Godzilla's fate remains uncertain. That was... pretty much exactly as you'd expect, and good fun,
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