Wednesday, 30 October 2019

The Sopranos: Meadowlands

"Hear about the Chinese godfather? He made him an offer he couldn't understand..."

The Sopranos is extraordinary, four episodes in. Yes, the first episode grabs you immediately and is a show-offishly and performatively classy piece of television. Subsequent episodes have been more restrained- no flashy direction, realistic rather than knowingly witty dialogue, but a masterclass on how to build a slow-burning and rich serial narrative.

Here we have a number of turning points, all seeming to emerge naturally from plot, certainly, but more importantly from character. We have some flashy direction in the dreamlike beginning as Tony has a surreal dream about Melfi's office in which worlds collide and it becomes clear that he fancies this somehow unattainable woman, who for once appears vulnerable. The bent cop that Tony ends to spy on her ends up beating and traumatising her boyfriend, unwittingly giving her a taste of Tony's violent world- and reminding us, by breaking the barriers separating the two worlds, that Tony is a very bad man, however much we may emphasise with his family problems.

The two worlds collide elsewhere, too, as young Anthony Jr is rudely ripped from his cosy teenage 1999 world of Super Mario Kart and mildly rubbish, forgotten metal bands by the realisation that there's a reason why, as Meadow points out, they can afford such a massive house on the wages of a "waste disposal consultant".

Tony has two families, both with simmering problems. His mother is as passive-aggressive and emotionally cruel as ever. And the death of the sincerely mourned Jackie seems to be leading inexorably to a Soprano vs. Soprano "War of '99", So Tony's creative solution, based on some unlikely advice from Melfi, unexpectedly undercuts this while showing a lot of guts- to let Junior be "acting boss" while being the power behind the throne- or so he thinks.

Incidentally, we learn that Jackie, dead at 44, had only been "acting boss" for two years. And the "boss", not a Soprano, is 74 and doing life. And, despite the power games and constant Godfather quotes, the Government is watching them all. There's a sense that the throne Tony wants is that of a shrinking empire...

This is bloody good stuff. And, just when you think the episode can't get any better, it ends with a bit of Mazzy Star...

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