”One day that lack of moderation will be Karla’s downfall.”
Things are developing now, plot-wise, but plot is not, of course, everything. The slow pace allows for depth, character and, I think, commentary both on how youthful ideology fades into cynicism, as well as reflection once more on how Britain's place in the world has diminished into- to use a '70s phrase- managed decline. All so much more grown-up than the delusions of today's political class that we, a medium power since at least 1956, can somehow survive against the great powers of today without the solidarity of the European Union. But I digress.
Perhaps the central scene is the flashback to Smiley’s interrogation of Karla in New Delhi in the ‘50s, where Smiley talks and talks and expresses a cynicism about the Cold War and ideology that he assumes his counterpart shares- but Karla, a fanatical Communist, says nothing. And there is another interrogation- of Peter by Percy Alleline, who now knows of Ricky Tarr and believes him to be a defector. But this in turn proves to Smiley that the Witchcraft source is linked to the mile in that both are run by Karla. Soviet penetration of British intelligence is complete, and now we have to tell the Americans, who don’t trust us anyway. Such is our place in the world.
Not everything here is worthy of praise- there are once again no female speaking parts(!) and I note that Fawn, the only character not from the world of public schools and Oxbridge, has his accent mocked and is judged only in terms of his physical prowess. But things are heating up, and it’s all very compelling.
No comments:
Post a Comment