Well, at first glance an awful lot went right. The script from Brian Clemens is clever, twisty-turny, full of compelling characters and nicely establishing a wider mythology about various types of vampires which behave differently- this one ages its victims- and can be killed in different ways, something explored nicely and which gives obvious sequel potential. It’s also creepily shot by Brian Clemens himself, with the vampire attack scenes creatively shot from the vampire’s POV and with plenty of suspense. There’s also a solid and effective cast of splendid British character actors, led by the superb John Cater but including Wanda Ventham, Ian Hendry and John Carson. It also features the very delightful Caroline Munro. There’s a lot going for this film.
Sadly, though, it has two big problems. The first is the casting of Horst Janson. The character of Kronos is awesome- I love his swordsmanship and how he deals with the ruffians in the pub- and Janson is pretty good, but if you have to dub all of your star’s lines because you can’t understand his German accent you have a rather big problem. There’s an awkward disjoint here that overshadows everything. And the second problem is, I think, Clemens’ direction. He can shoot certain types of scenes very well indeed, and you can’t fault his visual storytelling, but there’s a certain dull, overcast feel to the cinematography where a hint of swashbuckling fun was required. The tone doesn’t feel quite right.
It’s a real shame. There’s an excellent film inside this struggling to get out but alas it, and the continuing future of Hammer, was not to be.
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