Anyway, this is bloody good. Alastair Sim proves that actors associated with comedy can be truly arresting at straight drama- although his comic side is of course very much on display at the end..The entire cast is magnificent, though.
While bits are expanded from Dickens’ original novella, chiefly concerning how Scrooge got his wealth, this is a faithful adaptation, on the whole. The film deserves top marks, in particular, for taking care to include Dickens’ social commentary; the unreformed Scrooge refuses to forgive a debt, potentially forcing his unfortunate debtor to spend Christmas in a debtor’s prison, and announces that prisons and the Poor Law, cruel though they are, are a suitable response to poverty. Also it’s clear, in what we see of Scrooge’s past, that his hardness is a response to a perceived hardening of the world from the ore-factory age, when money wasn’t everything, to now (1843-ish?) where money is progress and traditional considerations for the less fortunate have fallen by the wayside. It’s very much about the problems of industrialisation, but it has much to say to That her’s children in this new age of austerity. And it’s heartening to see Christmas being set against all this, rather than as another commercial pressure.
It’s all full of Dickensisms, of course, from those inimitable character names to the poor working class family that inexplicably speaks RP, but that’s all part of the fun. This is the finest adaptation of A Christmas Carol that I’ve seen, very much including those with Muppets in...!
No comments:
Post a Comment