“How was it, Ringo?"
"Arrowing?"
Wow. What to say about this after the experience of seeing it again after upwards of twenty years?
It's brilliant, obviously. It's gloriously, trippily weird and also both witty and weirdly erudite for good measure. The animation may be simple, the Beatles may only appear at the end and not even do their own voices- songs excepted, obviously- but, my God, this is good.
The songs are great, obviously, and its instructive to be reminded how many of them, including such classics as "Hey Bulldog" and "All Together Now", were new for the film. It's also instructive that John, Paul, George and Ringo are shown here in full-on late Sixties psychedelia mode, whereas Revolver was only the year before last.
The sheer surreality of not only the animation but also the plot- snapping Turks?- is at once druggy, psychedelic and the very essence of the period. Bizarre, then, that Dick Emery of all people plays such a large role. But the Fab Four always did have one foot in light entertainment.
It's short, it's bonkers, the music is great. This is probably the greatest rock 'n' roll film ever made because, well, come on. I can't help noticing there's not a single speaking role for a woman in the whole thing, mind!
Welcome to my blog! I do reviews of Doctor Who from 1963 to present, plus spin-offs. As well as this I do non-Doctor Who related reviews of The Prisoner, The Walking Dead, Buffy the Vampire Slayer, Angel, Dollhouse, Blake's 7, The Crown, Marvel's Agents of SHIELD, Sherlock, Firefly, Batman and rather a lot more. There also be reviews of more than 600 films and counting. Oh, and whatever I happen to be reading, or listening to. And Marvel comics in order from 1961 onwards.
Saturday, 21 July 2018
Yellow Submarine (1968)
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