"You space bastard! You killed my pine!"
Two points before I start, ok? One: 1985 is further ago for us than 1955 was when this film was made. Two: look, this is Back to the Future. I realise that reviews are supposed to express an opinion as to the quality of the film or whatever, yes, but can we just cut the crap, acknowledge that this is a bloody great film, and talk about things that are more interesting?
I've seen this film many, many times but, barring the odd snippet, not for twenty years or so. That makes this reviewing an odd experience, with odd memories unexpectedly returning, and I'm finally getting the pop culture references such as Doc's "Devo suit" and Chuck Berry hearing Marty playing "Johnny B. Goode" over the phone, proving that I . The intricacies of the timey-wimey plot are truly to be admired, although, if I were to be churlish, I'd have to question the treatment of the butterfly effect. Marty has inadvertently changed the circumstances of his parents' meeting, and made his dad much more confident. Surely, then, history has changed in all sorts of chaotic and unpredictable ways so that the same sperm would not have fertilised the same egg at the same time and Marty would not have been born? Still, I'm no churl.
There are so many clever little things to admire- Marty's straitlaced mum being a rather normal teenager, jailbird Joey in the playpen, the little riffs on '50s sci-fi magazines. And then we have the Libyan terrorists in their, er, camper van. And Doc, just prior to being shot, intending to visit the distant future of, er, 2010. And how the film blatantly compares 1955 favourably to the Reaganite 1985, but not in a reactionary way; the first thing we see when Marty returns to 1985 is a homeless man.
The script is brilliant. Michael J. Fox is brilliant. Christopher Lloyd is brilliant. And James Tolkan (Mr. Strickland) is a cinematic legend. This is an awesome film.
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