Saturday, 4 November 2017

The Godfather: Part II (1974)

”Keep your friends close, but your enemies closer..."

 I've always thought, before seeing both films again lately, that whilst The Godfather: Part II is utterly sublime,it isn't as good as its genius predecessor. Now I'm not so sure. This epic sequel (there's even an intermission!) just carries on where its predecessor left off, like a Patrick O'Brian novel, giving us another splodge of saga with the same unbelievably awesome directing and acting. Al Pacino is awesome in exactly the same way as before, but Robert de Niro amazes as the younger Vito Corleone in a wonderfully realised 1917, with mannerisms that evoke the earlier performance of Marlon Brando but also branch out into new areas,

It's a non-linear narrative, taking us from Vito's brutal Sicilian origins in 1901, through to the beginnings of his empire in 1917 towards (the bulk of the film) a present day that has moved on to the late 1950s and Michael Corleone is safely ensconced in Nevada, branching out to Cuba and losing touch with the old-fashioned New York world exemplified by the rather interesting character of Frank, too "Italian" and too old-fashioned for this brave new world. And yet, the Corleone family is tested, but it survives even if Michael's hopes of a normal family life cannot.

Again this is a film on the Italian-American experience, showing us the early waves of tired, huddled masses on Ellis Island, the fascinating period details of early twentieth century life in Little Italy with everyone in those early decades still speaking Italian with each other, and to the almost contemporary struggle to escape the Mafia legacy. But theme isn't really the point; the characters, the visuals, the acting- this is just the pinnacle of how to make a film well. Right up there with the greatest.


No comments:

Post a Comment