Thursday, 12 November 2015
You "Letting the police do their jobs; that's what I pay them for, isn't it?"
This is clearly a turning point, the episode in mid-season where Matt and the Kingpin have a sort of confrontation, albeit only by telephone, and where both Fisk and the script attempt to push the apparent similarities between the two. It's a bloody good bit of telly.
The episode, following last week in which Fisk blew up all the Russians' buildings in Hell's Kitchen, is largely a two-hander between Matt and Vladimir in which they slowly come to understand each other before Vladimir, inevitably, is shot by the NYPD who are so hopelessly in Fisk's pockets.
Foggy and Karen, though their relationship continues to deepen, take a bit of a back seat. Ben Urich, meanwhile, gets closer to the truth about Fisk; I suspect that he, once he establishes the relationship with Daredevil that we know from the comics, will be instrumental in Fisk's downfall. But not, alas, before facing much mockery as a representative of the old media in this digital age which is, alas, not so friendly to crusading investigative journalists.
This episode also serves to indicate how completely the police force is compromised by Fisk's money, and how many of them are in his pay. It's truly shocking. Something must be done.
Alas, the episode ends with Fisk blackening the name of this mysterious man in black, manipulating the media with frightening ease. Matt is so affected by this that, effectively, through fear of his potential notoriety, he dumps Claire. And they were such a perfect couple.
Still, Matt now has a name: Leland Owlsley: for us comics fans the Owl...