"Somebody better attack me soon. I can't take much more
of this."
At last it begins. This feels like Angel has finally
finished evolving and embraced its destiny as a fast-moving, arc-heavy mix of
plot threads that weave themselves around the action and give the sense of
there being no status quo. Suddenly, there seems to be an awful lot going on.
It's good to see the Host again, and also David Nabbitt, a
handy excuse for how Angel is able to buy such a swanky old hotel on the
earnings of a not exactly money-grabbing private eye. But it's shocking to
suddenly see how Darla is occupying Angel's dreams, seducing him in
increasingly erotic ways and gradually encouraging him to look to his own needs
instead of helping others. She inhabits his sleeping hours like a drug, and
already it's being noticed that he's sleeping longer. Worse, this is probably
connected with the fact that he has an "off day" fighting the
vampires that initially attack Gunn. The implication is that this has been
going on for a while, too. This sub-plot clearly has a long way to run.
The episode manages to nicely establish a bond between Gunn
and the increasingly brave Cordelia- although not Wesley, at least not yet,
from a position of awkwardness between him and "C-3PO and Stick Figure
Barbie". We get a lot of subtle allusions to the gulfs of race and class
that separate Gunn from the other regulars, but he and Cordelia also get to
know and care about each other in spite of their very different backgrounds. We
get a fair bit more depth to Gunn's character, too. His responsibilities are
huge. He puts the weight of the world on to his shoulders an a way that is
ultimately self-destructive, and being so defensive when others try to help him
isn't helping. Cordelia's right to call him self-destructive, yet he's also
right to call her out for several ill-judged stereotyping comments as he shows
her all around the world he lives in.
There's a definite social commentary to this episode. As
with War Zone, we get to see a lot of
working class LA locations and a lot of the side of life we don't usually see
on Angel. Indeed, this episode is set
almost entirely within that world, and we're given quite a tour. It's
interesting that uber-billionaire David Nabbitt should appear at the beginning,
too, and be given dialogue paralleling Gunn's. The comparison we're being
invited to make is clear, but it's done with subtlety.
There's humour here too, though. I love Angel and the girly
helmet. Although I had to raise an eyebrow at Wesley calling Angel a wanker,
which most definitely would have had to have been censored when shown on
British TV. Note to American TV scriptwriters: the word "wanker" is a
rather strong swear word, not some quirky thing that British people say. Wesley
calling Angel a wanker is about on a par with calling him a prick. It is not a friendly insult.
This season is getting very, very exciting, and it's only
been three episodes.
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