Monday, 24 September 2012

Doctor Who: The Power of Three




"There are soldiers all over the house. And I'm in my pants."

It's close. Very close. This is the penultimate outing for the Ponds, an episode which takes the time to fully examine both characters, and how the Doctor has affected their lives, until they leave the show next week. I have no idea what's going to happen, being joyfully unspoiled, but I couldn't help but notice the ominous hints: the Doctor admits to Brian that some of his companions have dies, and it's eventually Brian who changes the Ponds' minds and gets them to choose travelling over real life, adding, ominously "Just bring them back safe." Oh dear. That lovely night-time conversation between the Doctor and Amy gives off similar ominous vibes. They're doomed, right?

We get a proper examination of their dual lives, pulling at the Ponds in two directions. That, rather than the gimmickry of the plot, is what the episode is about. The central device, of a very slow invasion, is hardly original, and nor is the concept of loads of mysterious McGuffins suddenly appearing, but then it isn't supposed to be. Indeed, the script even goes so far as to point this out, as Brian rattles off a list of all the usual tropes. It doesn't matter. Let the plot just go ahead and be Quatermass- this is about the Ponds. Although, admittedly, the tension-filled moment where the Doctor opens the box, only to find nothing, is rather too obviously straight out of Kinda. And it's a bloody huge coincidence that, of only seven wormholes on the whole planet, one of them should just so happen to be in the hospital where Rory works.

It's nice to see UNIT, too, of course, and it's especially nice that they've been reformed to be much cuddlier, losing the Orwellian overtones of recent years and becoming infused with scientific values of which the Doctor approves. Kate Stewart, Head of Scientific Research, is a great character, very Doctorish, and making her the Brig's daughter is not only good shorthand but also a sign that we, the viewers, are allowed to be invested in her as a character. She'll probably be back; they cast a Redgrave, after all. Also, the Tower of London being their not-very-secret base is well cool.

It's a good Doctor episode, too. Matt Smith gets, and delivers, such magnificent speeches, and the sequence of him doing household chores (and keepy-uppy) is fab. I'm also enjoying these fun little mini-adventures, this time involving Zygons, Henry VIII, and God knows what else.

The villains are a bit blah, very casually sketched, although admitted the Doctor gets a great speech out of the situation. And the Doctor saves the day with little more than the most casual application of handwavium. But that's sort of appropriate. It's not really about the plot.

I'm nervous about next week. Very nervous…

3 comments:

  1. I think The Power of Three is regarded by fans as being a rushed mess, even by people who otherwise like the episode.

    In fact, one notable aspect that is often overlooked is the ending. The Doctor, Rory and Amy find themselves on the Shakri spaceship. Rory is searching for his kidnapped dad and they discover many other comatose bodies laying on similar plinths. Rory and Amy get Brian Williams to safety. In a very short space of time, the Doctor thwarts the Shakri and sets the ship to detonate.

    But, as the Doctor leaves the about-to-explode ship, viewers can plainly see the remaining victims all still firmly in place on their plinths. The Doctor, Amy and Rory left all those people to die and they never mention it again.

    Now, perhaps the victims were already dead. Perhaps Rory carefully checked each one for signs of life before stepping back through the gateway to Earth. Perhaps there simply wasn't time to save them. Perhaps, perhaps. But the Doctor and co never say any more about it, and we are left with the unpleasant impression that they doesn't care that several innocent people just got blown to bits.

    It's not so much that the Doctor's actions might be out of character, it's that he doesn't feel bad about what happened. He errs frequently, but he usually feels guilty about it.

    ReplyDelete
  2. Ah yes, excellent point! I had heard that there were problems with the filming that may have led to last minute rewrites... something to do with Steven Berkoff?

    ReplyDelete
    Replies
    1. the final act is so poor that it really drags the episode down.

      Delete