"Maybe Doyle does have hidden depths. I mean, really, really hidden. But depths."
Wow. Who'd have thunk it? Doyle has a past, and a first name to boot. And he used to be all responsible and stuff- a teacher, of all things. An entire backstory is hinted at- marriage to Harry at nineteen, only for his demon side to manifest itself at twenty-one, wrecking both his marriage and his successful lifestyle. Just a few lines, scattered throughout the episode, give Doyle a hinterland, and depth. The most shocking thing, somehow, is that he was once a charity volunteer.
It seems that Cordelia is beginning to see him differently, too. The episode quite pointedly contrasts Doyle with the rich and rather wet Pierce, Cordelia's usual type. But Pierce is incredibly dull, and not only is he a big scaredy cat when attacked by a vampire- to be fair, most of us would be- but he just leaves Cordelia to fend for herself, which isn't very gentlemanly. Enter Doyle, suddenly revealed as a knight in not-so-shiny armour. Their whole relationship seems to have turned a bit of a corner, although she doesn't quite find out about his demon side. Still, this is going to play out over the rest of the season, right? (Ooh, you can just smell the dramatic irony in that last sentence!).
Richard (played by Whedon favourite Carlos Jacott) is a great character, and I love the fact that his demon family are genuinely nice, in a very suburban sort of way. The casual reveal of the fact that they mean to have Richard eat Doyle's brains(!) is well funny, as is pretty much everything about it. Still, aside from that one minor fault, I think this is the episode where is becomes very firmly established that demons are not necessarily evil. We have a bit of fun with this idea; I love the fact that Angel gets accused of being racist!
There are a couple of minor criticisms, perhaps. It's a bit of a coincidence that Doyle happens to be around to rescue Cordelia. And I can't see a stag night having both a stripper and charades- one or the other, perhaps, but not both. I'm not American, and I could be wrong, but by the evidence of this episode there isn't really much difference between an American bachelor party and a British stag night, except that a bachelor party seems to take place at home, rather than in a pub or club. The hen night (I don't know what they're called in America) seems rather sober and polite, though, pornographic Pictionary or not!
The criticisms are very minor, though. This episode is very good indeed, and the show certainly seems to be on an upswing. The late Glenn Quinn, in particular, is superb here.
Angel takes a back seat in this episode, more so than in any other episode so far, but I suspect that will soon change. Doyle's vision makes it very clear that it's crossover time…
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