“I was a perfect gentleman towards her!”
“That’s what bothered us.”
Oh dear. Another rubbish episode. That’ll be five out of six for the season so far. Not good. Perhaps it shouldn’t come as a surprise; Roger Parkes wrote Children of Auron, after all…
For the second episode in a row, our heroes are desperately flailing around trying to recruit an eminent scientist in the hope he’ll be of some vague use. Vila and Tarrant are sent to collect this chap, Muller, while Avon uses his limitless charm to entertain his girlfriend, played by a disturbingly young Lynda Bellingham. But Muller calls Scorpio to say that someone’s on to him and he needs to be teleported up immediately.
There are clues that something’s up as soon as Vila and Tarrant teleport down. For a start, Muller is dressed quite absurdly, and his voice sounds a bit robotic which, as we will soon learn, a dead giveaway. Tarrant decides at the last minute to bring along a mysterious black box. Lucky he did, in the light of what happens.
Muller goes completely off his rocker once he finds the box is aboard, and sets about tussling with Tarrant in a highly unconvincing way. Plot convenience demands at this point that Vila is able to knock him out, possibly killing him, by a simple blow on the back, in spite of the superhuman strength he is later revealed to have.
Vila and Tarrant set off back to base with their black box and seemingly dead passenger, but things soon start to go wrong. Firstly Slave starts to become notably less obsequious, and then the destination of the ship is altered (Why? We never discover any reason for this to happen!). Finally, life support is withdrawn, meaning that Vila and Tarrant will gradually find their environment getting more and more airless and cold. Back at base, Orac suspects something is up, and suggests quarantine. Avon agrees. But ultimately, when it’s clear that the choice is to rescue them or let them die, Avon angrily refuses to abandon them. In fact, Paul Darrow’s decision to play both this scene and the episode’s final moments with real, passionate anger is pretty much the only interesting thing about this episode.
Orac starts acting a bit odd to Soolin (we still know sod all about her), though. Apparently all human life in the galaxy is doomed. Isn’t that nice? It seems he wants to be switched off until the “intruder” is destroyed. I suppose, in a halfway-decent episode, this would be in some way ominous.
We soon discover that not only is Muller alive but he’s happily walking around the premises (so when did he teleport down then?), and is in such a bad mood that he manages to rather unconvincingly kill his own girlfriend. He also seems to have superhuman strength, the power to control all electronic stuff, and the power to turn guns to stone for some reason.
The big revelation of the episode is very silly indeed; “Muller” is in fact a headless robot who has killed Muller so he can graft his head on to his robot body and pose as his creator, so he can make his way to Xenon, join forces with Orac, and enslave Orac. Oh, and the black box contains the robot’s head, which contains its metal superego, which is supposed to stop its metal id going out of control. Is this the silliest Blake’s 7 episode ever?
Our heroes manage to defeat their metal foe with the use of a dam and a bridge, and we get a very silly moment where Avon struggles to re-attach the head. With the threat over, Avon proposes to use the robot as a weapon, but Tarrant and Dayna proceed to blow it up behind its back. He throws a right wobbly here, which leads Orac- traditionally the voice of reason who speaks wisdom- to lambast his arrogance and hint that, perhaps, he may no longer be entirely sane or reliable…
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