Masters of the Universe: Revelations- The Gutter Rat

 "Nobody around here fears you, Evil Lyn. We all pity you."

This series gets better and better, really making the most of the opportunity to use this setting without a reset button. So we have Adam's parents both overjoyed to see him alive- but they've grown apart in his absence, and Adam feels guit over that, as he does with how his secret hurt Teela. The other thread of the episode is, of course, the edgy subject of Skeletor's domestic abuse of Evil Lyn, and her depressingly typical downplaying of it, until the worm turns after some hard-hitting words from Duncan.

There's some joy in that Andra finds belonging in Eternos, yet we also hear of Lyn's tragic upbringing, and how appalled she is at the cold, impersonal emptiness of the universe and Skeletor's lack of ambition. In the end it's almost easy how she usurps the power of Skeletor, who has always been her inferior. And she does have ambitions... first with a very literal deconscruction of the concept of heaven. Wow.

Then, just when it looks as though there can be no suprrises left to spring, bloody Skeletor turns up wanting to help our friends...

Masters of the Universe: Revelations- Reason and Blood

 "Isn't this usually the bit where you start cackling?"

And so we have another fascinating episode which expands the mythos while also developing characters. Adam has called forth the power without the sword and, well, turned into the Hulk. But the original, pre-cartoon conception of He-Man was as a barbarian, appropriately with the exact same axe that barbarian Adam uses.

There's a poerfully emotive climax as the Hulk is turned back to Bruce Ban... er, Prince Adam by the loving words of a father who admits what a fool he's been to be so disappointed over all these years. And yet there's something else, too. It's impressed on us, again and again, that Adam used the power only to help others, and relinquised it when finished, while Skeletor hoards the power greedily. And both Skeletor and Evil Lyn are interested in the wheres and wherefores of relinquishing the power as we already see rifts growing between Skeletor and his new Sorceress.

Teela, too, has growing magical powers, inherited from her mother, while her father Duncan continues to be the gruff hero even in such adversity as this. For a twenty-odd minute episode there's a lot going on. I continue to be impressed.

Masters of the Universe: Revelations- Cleaved in Twain

 "I'd sure like to fist him!"

Yeah, there was only going to be one possibility for this episode's quote.

This is, of course, an outstanding episode, and not only because Kevin Smith totally leaned in to our childish jokes about Fisto there. It seemed almost impossible to top the cliffhanger at the end of last episode before this agonising break, but the episode pretty much managed it.

The extended scenes of the now-godlike Skeletor gloating over his enemies are eletrifying, and a triumph for Mark Hamill. The Sorceress- after a moving flashback showing her having to leave her baby daughter with Duncan- gets a heroic death. But all seems bleak as our heroes escape, with Skeletor now seeming both all-powerful and genuinely terrifying, proceeding to turn the entire population of King Randor's city into an Army of the Dead.

Cruelly, this includes (ahem) Fisto and Clamp-Champ, who get heroic deaths... only for their souls to be unjustly damned by Skeletor. Ouch. That's bleak.

And yet, after an episode of increasing bleakness, we end on a note of hope, and a brilliant conceptual leap- Adam calls upon the Power of Grayskull without the sword. And, er, seems to turn into some kind of Incredible Hulk. Which is sort of appropriate, because in 1982 or so, when I was five, the series of He-Man and the Masters of the Universe ended on Children's ITV ad was replaced with the then-new cartoon of The Incredible Hulk.

I'm already addicted. This is awesome.

Masters of the Universe: Revelations- Land of the Dead

 "Oh, bollocks..."

This episode is, perhaps, a little more formulaic than its predecessors in that it has our prtagonists on a quest in Hell- more of a Hades really. Here they are tested by Scare Glow, played by the great Tony Todd and, I've just discovered, one of the last classic toys released, at the same time as the movie characters. And it's all, really, about Teela facing her fear, namely that Adam never really trusted her.

There's some good stuff here, not least Orko's background and the revelation that his self-esteem issues stem from his upbringing. He has an increasingly nice bond with Evil Lyn, perhaps the wisest of all the characters. It's good to see Trollia. And the ending is, of course, splendidly shocking. But this felt more like a space-filling middle episode than most.

Still, that's only a relative criticism in an impressive series, and the characterisation continues to impress.

Masters of the Universe: Revelations- The Most Dangerous Man in Eternia

"I don't know why I thought the lady named Evil-Lyn would be nice..."

Another rushed evening, so blogging this.

I've never read any Joseph Campbell, and probably never will: I tend to take a dim view of overly reductive classification of mythical narratives into quests, hero's journey or any of that. Taken too far it shrinks the world of story to be smaller than it should be. This episode, however, is blatantly part of an overall quest narrative and also features a reconciliation, of sorts, between father and daughter.

Kevin Smith, of course, is far too clever not to be meta about this. Theres rather a lot going on, and not just the witty dialogue ("He-Man had the sense of humour of a teenager who didn't get out much"). There's Man-at-Arms being the typical old ex-hero who refuses to get back in the saddle, nicely subverted by Roboto. There's the splendid Evil-Lyn's gloriously cynical advice to Andra and Teela as she regrets wasting her life with Skeletor and, more broadly, a realigning of allegiances across the board. The conveniently easy definitions of good and evil are gone.

This is good stuff- well-written and acted. I'm enjoying the He-Man vs Skeletor flashbacks at the start of each episode, too.

Masters of the Universe: Revelations- The Poisoned Chalice

 "Cry havoc and let slip these cogs of war!"

I was going to blog The Boys tonight, as I like to alternate. Alas, I'm pushed for time, so the shorter alternative it is.

This is another brilliant episode, shattering the staus quo of an old early '80s filmastion cartoon by removing the reset button and introducing an arc, an ever-changing status quo and a milieu in which any character can die- as Tri-Klops (Henry Rollins!) says, we are no longer in an era of Skeletor's repeated absurd and moribund plans. We're all fortysomethings now, after all.

At firt, it seems as though we have a story of the week to introduce a new staus quo as Teela and her new friend, some time having passed, work as mercenaries. We get a whiff of Stinkor, played by Jay of "and Silent Bob" fame.

We also get a fascinating elaboration of the backstory. Magic is dying, as in Visionaries. Tri-Klops is leading a cult of cyborg technology, complete with body horror transformations. Eternia was the first planet, and both it will rot without magic. A newly cynical Teela, and Andra, must quest for the two halves of the sword of power, in Heaven and Hell. With Evil Lyn. 

The plot thickens, deepens and becomes more interesting. This is such a fresh take. I love it.