Angel: Home

”We do have a dungeon. I can show you around later if...”

So Lilah gives Angel that thingummy wotsit to take to Buffy in Sunnydale for Spike’s big heroic sacrifice? I wish I hadn’t lost that list of the right order to watch episodes of both series a while ago. Still, no great harm done, and this is an intriguing and unusual finale which points forwards to the next season of what is now the only Buffyverse show.

It’s a lighthearted episode, a good thing after all the recent angst,  showing how all of Angel’s gang are slowly corrupted by Wolfram & Hart and agree to take over the LA branch of the evil law firm for their far from nefarious purposes but, it’s heavily implied, losing a part of their souls in the process.

It’s fun to see a temporarily resurrected Lilah tempting them all with her customary wit; she seems somewhat cheerful for someone who has just been in Hell and will be back there soon. It’s also unclear what’s so outrageous about her contractual obligations to her employer extending beyond death, with the alternative again being Hell. But it’s fun seeing her sparring yet again with Angel and, indeed, with Wesley.

They all get their individual temptations- Fred is to be head of science, Lorne of entertainment, Wesley of arcane lore or something and Gunn... well, we know not what, but he takes a trip to the big white room where a panther has replaced the little girl. He’s very conscious about what his supposed talent may be that Wolfram & Hart so require; we shall no doubt find out at the start of next season. Angel, of course, is CEO, with Sun-proof executive windows and twelve cars. Not bad.

The season has largely been about annoying little Connor, though, so it’s fitting that he should get a fitting send-off as Angel foils his psychopathic son in a nasty little hostage situation and Wolfram & Hart arrange for Connor to get an entirely different life.

It’s been a wonderfully changeable season, easily as good as the last, ending up with yet another major change. Is this going to continue...?

Angel: Peace Out

"I know she's a lie!"

And so the whole Jasmine storyline ends, suddenly. It works, it’s a good piece of telly, but you can see the joins as Angel is sidelined off in some CGI dimension where cliffhangers are easily resolved and high priests taunt him about his relationship with his son. Still, this strand successfully builds up what would otherwise be a deus ex machina ending in which Jasmine’s powers are suddenly revoked when Angel suddenly arrives.

As for the other cliffhanger, it feels a bit of a cheat that none of the rest of the gang are killed, instead spending most of the episode in a cell while the drama happens between Jasmine and Connor, who is the episode’s real focus. Still, at least the shared experience has seemingly brought the gang together and papered over some of their differences.

It’s explicitly revealed that Connor has always seen Jasmine’s real face, but doesn’t care. He needs something to believe in and, as he says in his little soliloquy beside a comatose Cordy (has Charisma Carpenter been sacked or something?), it’s nit that he’s naive enough to believe Jasmine but her lies are better than all the other lies.

Interesting, then, that is should be he that kills her, shortly before seemingly sodding off for good, which I suspect many of us wouldn’t mind. Less interesting is the half-hearted debate between Angel and Jasmine about paradise vs. freedom; I trust we all side against tyranny on that one.

So it’s a witty and well-scripted episode, one that actually makes good use of Connor, but one where a good script can’t quite paper over the awkward pacing of the plot, not even with its wit. But we end up with the status quote seemingly restored and our heroes back in the hotel- and up pops the seemingly alive Lilah...

Angel: Salvage

"You ok?"

"Five by five..."

Talk about spoilers. When you click on this episode on the Season Four DVD you get a massive great big pic of Faith. Never mind; it’s great to see her.

It’s good to see the episode start by not minimising Lilah’s death;  of only does Stephanie Romanov get a screen credit but there’s an interesting sequence with Wesley prevaricating before he beheads her possibly vamped body. Did she love him, and is he in denial about it? Did he perhaps have hopes of reforming her? These are interesting questions, deepening Wesley’s character further and showing us what an actor Alexis Denisof is.

Anyway, Faith. The attempt to assassinate are her in prison may have more to do with what’s going on in Buffy, but she’s as badass as ever. Importantly, she’s determined to continue serving her sentence and atone for what she’s done, and it’s only when Wesley reveals the full seriousness of the situation- Angelus is loose- that she realises she’s needed and breaks out. Easily.

The first time I saw this I had objections; wasn’t this undermining Faith’s whole redemption arc by saying that she was, after all, above the law because she’s a super being? This time round I don’t see it that way. She’s truly needed. I just hope she returns to prison after all this is over.

It’s great to see her with Wesley, too; through her eyes we can see just how much her ex-Watcher has changed.

Angel may now be on a different network to Buffy these days, so it’s surprising to see some borderline crossover stuff as Angel rings Dawn briefly. But such things are brief as Faith swiftly meets the gang and takes charge, impressing Gunn by putting Connor firmly in his place.

Meanwhile, Cordy is usually “resting” upstairs in the hotel and during those times she’s off being the Beast’s evil “master”. We get to see the two of them together briefly, ending in her commanding the Beast to “give mama some sugar” and sings him. Urgh!

The climax is doubly interesting. The Beast defeats Faith, badly, and it’s Angelus who kills the beast and restores the Sun, not her, and for his own less than noble reasons. And then the big reveal- Cordy is pregnant not only in real life (apparently leading to big rewrites) but with Connor’s child...

Angel: Calvary

"Those evil geniuses- get you every time."

More Angelus fun this episode, so more menace, more discord, more superb oozing of evil from David Boreanaz, more despair. But we also get a twist- the Beast has a boss. Then, at the end, well... a bigger twist.

It's an awfully well-structured episode in highlight, with some superb scripting- Angelus' subtle racism to Gunn is as bad as anything he does, and the developments between Fred, Gunn and Wes are nuanced. The clash on the stairs between Cordy and Lilah harbingers stuff later on, of course, and Connor is a little snit but a useful one. A script like this needs both well-defined characters and a great cast, and it has both.

Angelus is in control here, pulling the strings, and we find that all reference and, indeed, memory of the Beast has been magically erased by something bigger, the actual Big Bad. And then the final shock; we think Angelus is going to kill Lilah... and Cordy does. What's going on? Is she the Big Bad? Whatever happens this season is on fire, never standing still. I love it.

Angel: Habeas Corpses

”Zombies are slow moving, dim witted and crave human flesh.”

“Like you?”

“No!”

Plot-wise this is quite straightforward; Connor wants to know about his connections to the Beast, so he goes to Wolfram and Hart for some answers. Unfortunately he ends up trapped as the beast attacks and the staff (except Lilah but very much including the now-late Gavin) are all killed and turned into zombies, and needs to be rescued by the gang. Awkward.

As it happens this doesn’t work quite that well- much of the episode is dark and chaotic- but, as ever, it’s the character stuff that counts. After sleeping with Connor, Cordy makes it clear that, despite his “happy puppy look” there won’t be any repeat, which makes her look rather like one of those “lads” who gets a girl to have sex with him and then disappears, especially as he’s so young and naive. Angel certainly doesn’t approve, as he makes very clear at the end.

Wesley also finally dumps Lilah who, oddly, in spite of being evil is far more into him than vice versa, and seems to be subtly back with the gang again. It’s clear that the love triangle with Fred and Gunn is back on, hence bickering between him and Gunn that will no doubt come to an end in a couple of episodes as Wes redeems himself in Gunn’s eyes. Such is TV drama.

More immediately worrying, arc-wise, is that the Beast has reached the White Room and apparently killed the little girl who runs (or ran?) W&H. That one act proves Wes right when he emphasised just how powerful this creature is and how it seems to be above the pay grade of Angel Onvestigations to stop it. The episode itself is an odd beast; the concept doesn’t really come across well but the characterisation, dialogue and arc stuff largely carries it through.

Angel: Apocalypse Nowish

"It's not like the world's gonna end right this second!"

Well, that was sudden. It's all looking very apocalyptic in the space of one episode, with a big red devil beast thingy, rain of fire and the phones ringing off the hook at Angel Investigations. Is it only Los Angeles, though? None of this is happening in Buffy, and Sunnydale is not even in a different state.

Before this started, of course, we get two thirds of the episode full of foreboding, with Cordy having some scarily accurate dreams and Wolfram & Hart being quite aware that things are not going as expected. But it all feels rather fast and, unusually for the Buffyverse, unearned.

The uneasy atmosphere leads to some interesting character stuff, of course. Fred and Gunn haven't touched each other since Gunn took it upon himself to send that nasty professor tomPylea and, worse, Fred seems unhappy with the possibility of settling down with him. From no sex, though, there's weird sex; Wesley finds Lilah waiting for him mockingly dressed as Fred, but turns the tables on her by insisting she stays that way during sex. Ouch!

More awkward, though, in more senses than one, is the virgin missionary sex between Cordy and Connor. Cordy has already told Angel that she still loves him but, as a Power That, er, Bees, she saw what he did as Angelus. She knew before, but now she knows. Also, things are perilous and they all might die. All the same, deflowering Connor like that feels out of character and is really jarring, which is not something you'll often find me saying about either of the Buffyverse shows.

Still, clever Angel runs rings around Lilah to ensure her cooperation, tying up Gavin to boot. And it seems Wesley won't be seeing much more of her as plot expediency has him shackled up with Angel's crw for the time being- a subtle forced reconciliation? The whole episode feels a bit forced and awkward. On the other hand I'm genuinely enjoying the no-status-quo, Chris Claremont X-Men vibe. We'll see where this goes.

Angel: Supersymmetry

"Think Daredevil #181. I'm Bullseye, you're Elektra."

Wow. That was a bit good, A superb script, a quirky concept, geeky in-jokes, great character stuff, a Fred episode, and Amy Acker shows us just how extraordinary she is when really called upon to really act our socks off. She's always excellent, but she's extraordinary here.

It's an origin story, of sorts; dabbling in a bit of physics again sees Fred publishing "just a little breakthrough in quantum particles" in an academic journal, leading initially to screams of delight and getting a bit jiggy with Gunn, but ultimately to Fred being invited to lecture at her old uni, a daunting prospect indeed. Even more daunting is a portal opening in the middle of your speech and a worryingly phallic CGI demon doing rude things to you.

Of course, the main focus here is the fact that Fred's old professor sent her (and other promising postgrad students) off to Pylea out of sheer professional jealousy, and for the first time ever we see Fred getting all vengeful and scary, which Amy Acker gives us both convincingly and without holding back. It's up to Gunn to restrain her and Wesley, who blatantly still carries a torch (he just isn't that into Lilah although she, admittedly not without cynicism, blatantly at least fancies him), to gently aid her with her dish served cold. And it's the ultimate act of love for Gunn to throw the prof into Pylea himself so she doesn't have it on her conscience- although we don't really see her reaction.

We also get Cordy gently telling Connor that she doesn't like him that way and, seeming a little more herself, visiting Angel to ask him, in the last line of the episode, "Were we in love?" Naturally we are left hanging. We also get the clear implication, often hinted st, that while Gunn may not be a card-carrying geek, he knows his Marvel. Good man.

This is, so far, a bloody good season. But this episode stands out, it really does. A beautifully crafted bit of telly.

Angel: Slouching Toward Bethlehem

"You like shoes. And doughnuts. And you're very brave."

This episode has a simple job to do; ensure that the newly amnesiac Cordy ends up just a little wary of Angel and the gang, who clumsily say and do all the wrong things, and trusts Connor, who is at least honest. The result, perhaps, is a little over-contrived, although the acting is superb all round. This episode feels somewhat functional, fascinating though the events are.

There are some moments of humour, of course- I love Cordy's reaction to her old Sunnydale High yearbook- but the episode is oddly linear for something so focused on the season's already-fascinating story arc. I think, though, that this odd little realignment of this new Cordy with Connor, whom she trusts more than his simple honesty would warrant (hmm...), may be connected with the apocalyptic horrors in her future that so traumatise Lorne, and which Wolfram and Hart know all about, thanks to Lilah's tricking of her boyfriend.

Ah yes, Lilah and Wesley- at this point we see them looking almost lovey-dovey and almost like a real relationship (Wesley uses the "r" word), and then Lilah goes and uses him for Wolfram and Hart's purposes just to remind us (and him) that she's literally evil. There doesn't seem to be much else character development, though, in an episode that may have snappy dialogue (this is, after all, the Whedonverse) but seems unusually focused narrowly on plot,plot, plot.

Angel: Ground State

"Damn. This is so much harder than it looks on Batman."

This is, I suppose, an example of a functional, non-stand-out episode of Angel; the nearest it comes to a "meh" episode, to treading water. So it's saying a lot about the high quality of the show at this point that it's nevertheless bloody good.

We begin, unusually, with an introduction to a one-off character: Gwen. She gets a lot of prominence, and the pre-titles sequence also shows us a semi-origin; was she supposed to return? (I assume she doesn't; I have in fact watched the entire Buffyverse before and don't remember her returning, but it was a long time ago.) Or was this partly intended as some sort of pilot? I don't know, and don't want to look it up because spoilers. But she's a cool character- a cat burglar with deadly electrical powers and lots of it. But is she some kind of Marvel-style mutant or something? How do her powers fit into Buffyverse mythology?

Anyway, the plot is both her and Angel, Gunn and Fred competing on a heist for a valuable Macguffin called the Axis of Pythia (lots of Greek mythology this episode; we get hints that the Eleusinian Mysteries are more than just ritual, so do Pagan pantheons actually exist in the Buffyverse, and what are they?), all as a means for Angel and co to learn and accept where Cordelia has gone- which eventually they do, much to Cordy's annoyance.

We also get to see Angel trying to reach out to a cold Wesley, perspective having given him the will to forgive. We also see a bemused Angel find out that Wes is sleeping with Lilah in a fascinatingly and sexily twisted relationship, if we can call it that. And, of course, we see Fred begin to crack under all the pressure of holding everything together for the last three months.

That's an awful lot going on for an episode which, I suspect, is no one's season highlight.

Angel: Deep Down

“That didn’t suck. Well, maybe a little bit. Maybe that’s something we can expand on next time.”

I often write as though I’m seeing these episodes of Buffy and Angel for the first time, and it genuinely often feels that way- I’ve only seen all of this once before and finished in, I think, 2005. I was 28, single, childless, just learned to drive. It was a very long time ago.

But I do remember this season of Angel in particular, and liking it very much indeed. And what’s interesting is that I’ve since become aware of it’s less than stellar reputation. With both shows having to share space briefly with Firefly, Joss Whedon’s relationship issues (let’s not pry), and other behind-the-scenes issues, the prevailing view is that this isn’t a season you’re supposed to regard that highly. I had no idea. So we shall see how this goes.

There’s certainly not much wrong with this first episodes. It’s three months on, and quite a place to pick up from- the “previously on” segment is a masterpiece of cramming in as much as possible. There follows a subtle and gripping episode of exquisite characterisation,  nice development of theme (to a point) and, while the dialogue doesn’t entirely match the Joss Whedon scripted episode that opens the parallel series of Buffy, it nevertheless sparkles.

I like the early dream sequences; they may be very noughties but they show us the family theme very well before we zoom into the episode property where, three episodes in, relationships are never very healthy. Connor being so very annoying is making Gunn and Fred bicker; Wesley is still having the most meaningless sex possible with Lilah; and his treatment of Justine is at once very kinky indeed (justifying her name) and entirely sexless. It’s as though the absence of Angel is leading to relationships being tinged with wrongness.

And then Wesley finds Angel. Connor is in a lot of trouble from all directions, and Angel gives a bloody masterclass in fatherly tough love to give us a kick ass ending. He’s back, and Connor is so very annoying. All this, and Lilah does the most badass boardroom coup I’ve ever seen. Not a lot has gone wrong here so far...

Angel: Tomorrow

"Mind if I join you?"

"On many levels, and with great intensity..."

Some season finales are dramatic. This one is just cruel, evil and, I admit through gritted teeth, perfect.

There's tension from the start as we, but not Angel or any of the gang, know that Connor has been tricked into believing Angel killed Holtz. The whole episode is one big trap as a very cold Connor gets his revenge with some splendidly ambiguous acting by Vincent Kartheiser.

But we feel sympathy for the young, innocent, manipulated Connor, even Justine seems to feel a twinge of guilt as Connor, believing Holtz to have been killed by a vampire, beheads the corpse and burns the body on a pyre; a warrior funeral, yes, but hardly what a loving son would prefer. Even Angel, at the end, refuses to blame Connor and declares his fatherly love. There is a poignancy here beyond the betrayal itself.

There's a lovely juxtaposition of scenes as Groo gently tells Cordy that Angel, not he, is the one she loves, as a departing Lorne tells Angel that Cordy's feelings for him are the same as his for her. They finally arrange to meet in a romantic location. Happy ever after, right? Hah! This is a Joss Whedon show. There is no such concept.

Less romantic is Wesley (oh, Wesley!) sleeping with Lilah. It was clearly hate sex, though, and when she tells him not to be thinking about her when she's gone, he delivers the most withering riposte ever in the form of "I wasn't even thinking about you when you were here." Ouch.

Naturally in Angel, as for the Manic Street Preachers, there is no true love. Cordy has to ascent to become one of the Powers That Be just as she's about to get together with Angel, and he will never know why he never turned up. And we end with Connor, assisted by an equally cold Justine, sealing Angel in a coffin which he deposts to the bottom of the ocean. Even more ouch.

This is the season finale most perfectly crafted to break as many hearts as possible. It's evil. It's brilliant. And so was this season. Angel has truly come of age.

So, time for me to briefly turn to a short season of nothing else, then I'll be back with the final season of Buffy and the fourth season of Angel.

Angel: Benediction

“Well, aren’t you just sneaky with the subtext?”

Such a tragic episode, this; we can very much see how, behind the endearingly awkward scenes of Angel slowly connecting with Connor/Steven, things are about to go horribly wrong in all sorts of ways. Connor is confused, bewildered, hostile to Lorne as a visible demon, torn between his two fathers. He may fight by his father, but growing up in a hell dimension (“Who hasn’t?” asks Fred) is in many ways a very sheltered upbringing.

I think we shall be charitable and ignore the deeply unconvincing appearance of Prosthetic Holtz, as he does die, after all. But he’s devious, later upon layer, every word and every action crafted for maximum revenge on Angel, and he just doesn’t care about the collateral damage to the boy he supposedly loves and whom he has raised for the best part of two decades.

Things get more and more arse-clenchingly awkward between Corey and Groo, with Groo very much aware of his status as pet more than lover. I give them about, well, an episode. lol ah so to use her highly entertaining  plot to corrupt the lonely, unloved Wesley. Ironically, though, it would probably be best for all concerned if Justine had indeed died, and it’s doubly ironic, given the ending, that it should be Angel and Connor who save her.

The ending is ominous indeed; Connor believes Angel has killed Holtz and is now under Justine’s baleful influence. This superb episode is both intricately crafted and full of deep foreboding for the finale...

Angel: A New World

"Tell me we don't live in a soap opera..."

Last episode ended with a massive twist, and this one certainly begins energetically, with lots of weird slow motion and bad CGI wooden crossbow quarrels. But we soon settle down into a surprisingly contemplative episode about LA, betrayal, fathers and sons.

Wesley gets a visit from Lilah, offering him the inevitable job and handing him a gift that twists the knife; an early edition of Dante's Inferno with it's ninth circle of Hell being reserved for those who betray. He turns her down this time but, of course, these scenes would not be there if that were the end of it.

Cordy and Groo's relationship continues to be awkward, with Groo being jealous of Angel and Cordy continuing to have no deep feelings for him.But the episode is mostly about Connor's discovery of LA through its lowest underbelly, seeming to have exchanged one hell for another. The one friendly person this innocent boy finds soon dies of an overdose in squalid surroundings, and violence is everywhere. Angel finds his suspicious son and slowly seems to win him round- has he? We don't know by the end of the episode, but it doesn't look promising that Connor is with a prosthetically aged Holtz, one presumably mighty enough to zap both Cordy and Groo.

An interesting change of pace which makes one wonder: where are the last two episodes going? Good stuff as ever.

Angel: The Price

" Hi, Dad..."

Quite a very late season twist at the end of the episode here, but I suppose Angel has form for this sort of thing.

Before we get to the last few game-changing seconds, though, the episode concerns some horrible, moisture-devouring creepy-crawlies from another dimension that are the "price" (and yes, I'm sure the episode title also references Wesley) for the black magic used last episode by a desperate Angel. Most of the episode concerns an ever-deepening body horror threat posed by said beasties. But this is also a good excuse for some character stuff. So Fred lacks confidence in "hitting the books" and acknowledges that she lacks Wesley's skills. Cordy lacks any deep feelings for Groo, seeing him as a faithful "puppy" and faithful friend with benefits, caring far more about Angel. And Wesley is bitter, very bitter, and only agrees to Gunn's request to help because it happens to be Fred who is infected.

We also get some highly entertaining rivalry from Lilah and Gavin, and a subtle admission from Lorne that his nightclub days are over and he's on the team. And we also get a surprising resolution as Cordy's unexplained demon powers save the day.

It's a good episode. But what lingers in the mind s that last few seconds, with what looks like a terrifying stop motion monster, immediately followed through the portal by a young man who utters the above quote. That's quite the upending of the status quo...

Angel: Forgiving

"Oh. There is no happy for you."

And so we have the aftermath.

Connor and Holtz are gone, it seems for good: Quor-Toth is unreachable. Angel must deal with his loss, and he does so by getting back at those who dd this to him-making very clear from the start that this includes Wesley. But first, the puppet master: Sahjahn. plot-wise, this episode is primarily about Angel trapping Sahjahn in a jar, either for all eternity or until the writers want to bring him back. But the episode is, of course, about much, much more.

Fortunately, we also have Fred and Gunn, who manage to piece together why Wesley did what he did, and the terrible moral dilemma he laboured under- but Wesley, it seems, is dying or dead. We are shown this clearly as the camera dwells on him. We therefore know, from the laws of television drama, that he'll be fine.

The creepy little girl in the "White Room" at Wolfram and Hart is a nice touch, as is Lilah's keeping her cool. But best of all is the killer reveal; Sahjhan falsified the prophecy, moving back and forth in time to do so. It was in fact Connor who had been destined to kill him, and he wanted the baby dead.

The final twist in a horrifyingly gripping episode, though, comes at the end, between Angel and Wesley, good friends until so very recently. Angel understands, he genuinely does- and yet he wants Wesley dead, and has to be prised off him...

Angel: Sleep Tight

"It sounds like a nice cult..."

Well then; there's a twist and then some. Everything has changed.

Wesley's agonising dilemma comes to an end as he finally betrays his friend, but by the end of the episode he has himself been betrayed, stabbed by Justine, and lies possibly dying as Holtz and Justine take Connor away to raise as their own at a ranch in Utah, although how they intend to  support themselves I've no idea. And yet... this is in itself a betrayal of Sahjahn, who has his own mysterious grudge against Angel. But the final twist is courtesy of Holtz, who runs with Connor right through the portal into Quor-Toth, the worst of all Hell dimensions.

A lot else happens, though. We have an ominous beginning, with Angel all cheery as he always is when something bad is about to happen, while the very stressed Wesley continues to be a dick about the lovey-doveyness between Fred and Gunn. It's noticeable, though, that Gunn is suddenly part of the gang here, in full. I suspect we'll suddenly see him now living at the hotel rather than just always visiting. Cordy and Groo are still off gallivanting.

We learn that devious old Holtz gets one thing right; he can't stand tea in styrofoam cups. But would he have much of a taste for Indian tea anyway, being a mid-eighteenth century chap? If Angel can wonder about whether the Flying Nun  can fly then I feel this is a legitimate question...

It's also an interesting chat between Angel and Lilah, who has had to be twice as good at as any man at Wolfram and Hart, is definitely evil and lives "dangerously and quite comfortably". There's a surprising amount of subtle and wellwritten character stuff in what is a pivotal and gripping episode. This makes you desperate to see what happens next. But I shall be patient...

Angel: Loyalty

"Simple mortal, your pain is just beginning!"

Wow. Who thought a statue of a cartoon hamburger could be so scary?

This is both a superb piece of writing and a superb performance from Alexis Denisof as poor Wesley is driven to the end of his tether by the most agonising moral dilemma at a time when he's just had his heart broken anyway and, deep down, beneath appearances, he isn't so mature as he appears to be.

We begin with nice scenes of lovely doting father Angel, fitting in with the young mothers in the waiting room and being touchingly anxious at Connor's medical check up. But we soon meet a client who is soon revealed to be reconnoitring the team for Holtz and his ever-expanding squad of badass(ish) underlings. They lure Fred and Gunninto a trap just to test them and certainly have plans.

This isn't proceeding quickly enough for our old friend Sahjahn, though. So, with a little freelance help from Lilah- seen on the phone with her dementia-suffering mother in a tragic human touch- he sets a trap for Wesley, arranging the prophecy of "earthquake, fire and blood" that Wesley is told about in that incredible, perfect, inspired scene that changes everything. It seems the father will indeed kill the son, and Wesley can't bear the pressure.

Wesley, already a little distanced from Gunn last episode, manages to alienate Fred a little, too; he's not very good at hiding his jealousy, while both Gunn and Fred manage to be both decent and gracious. Even at a deserted pier, at night, surrounded by vampires, which says a lot.

There's an interesting chat between Wesley and Holtz piling up the pressure, too. And it seems that Holtz knows about the gypsy curse. He just doesn't care.

Wesley ends up hysterical near the end, but then it happens; earthquake, fire, blood. What's a chap to do? This is a brilliant character piece, as well as a straightforwardly gripping bit of telly, that is surely one of the finest episodes of Angel.

Angel: Dad

"You don't have a woman's touch. Whatever your taste in clothing may indicate."

On the surface this is s light episode having some fun with Angel's utter obsession with his baby- and I completely understand, having become a father this year myself! Fun is had with Angel's newbieness, but the threat is serious: so many demons and forces wants the prophecies baby for their own nefarious purposes that the hotel is under siege and our heroes are all, it seems, doomed. Except a bit of clever resourcefulness on the part of Lorne and Angel not only saves the day but puts the baby- Connor- under Wolfram and Hart's reluctant protection.

It's also, of course, the episode where Lorne, what with Caritas having been destroyed again, moves in to live with Angel and co. At last he's a guaranteed cast member every week. The gang is growing.

It's a fairly frothy episode, yes, an episode in which Angel's vampire face calms the baby(!), but behind it all lurks Holtz, revenge served cold, and a plan to make Angel really suffer. It's an enjoyable, frothy episode, but I'm sure that more serious fare is to come.

Angel: Lullaby

"There will be no birth. Only death!"

An interesting episode this, with very lasting effects which pull Angel very nicely away from Buffy and into being its own thing. On the one level, Angel is now father to a baby boy and Darla is dead, fulfilling the above prophecy. But most interesting is the reaction of Holtz to all this, now knowing (courtesy of Lilah and a little light torture) that Angel has a soul. He may rave at Sahjahn for his Satanic layers of duplicity but, it seems, Holtz will not kill Angel but still has every intention of exacting his revenge through more insidious and psychological means.

It's all very well structured dramatically, with the revelation in flashback that Holtz,  back in the age of wigs and sentimentality, had to kill his own vampire daughter by means of sunlight. This sort of thing makes the episode impressive enough to outweigh the suspiciously TV nature of Darla's labour, which bears very little relation to Mrs Llamastrangler's experiences in February this year. Still,it's moving to realise how her love for the baby, her new-found behaviour, all stem from the baby "infecting" her. She's terrified that, after the birth, she will no longer love the baby and will want to drink it's blood. It's a stark reminder of what vampirism means. Her staking herself to save the baby us a fitting resolution.

In short... Angel: still on fire.

Angel: Quickening

"Manifest destiny, the Beach Boys..."

Well, that's me up to date with blogging all the episodes of Angel I've seen so far. Nearly there with Buffy, Cucumber, Grimm and one outstanding film, but im proud of this Angel post. Mainly because I'm writing it with my baby daughter in my arms and feeding her. Anyway...

Angel shows no signs that it's going to stop being first class telly any time soon. We begin with a flashback to York in 1764 although, of course, this being an American programne, no one seems to have a Yorkshire accent. Cue Holtz's family getting mercilessly slaughtered by Angelus. Naturally, Sahjahn chooses this very moment to transport him 237 years forward in time, sworn to kill Angel with his inhuman underlings. And all this at a time when rather a lot is going on. And, into this, plus Darla being up the duff with Angel's child, a possible antichrist, we can also add Wolfram and Hart.

Our evil legal firm are somewhat behind the curve in the whole Darla-being-with-child stakes, although Lilah continues to run rings round the ambitious yet rather stupid Gavin, however much short term advantage he may have at any one time.

Into all this we have the bombshell that is Darla's waters breaking, after having those TV style contractions that only last a couple of hours. Birth and pregnancy on telly are so very neat, and not at all like it was for Mrs Llamastrangler last months. Believe you me, contractions can last muuuuch longer. And the waters breaking us only a vague sign. But, anyway... it's a human. A boy!

What's truly impressive in this episode is the confluence of events to set up so many different things for next episode, which is obviously a big one. There's a real sense of fast-moving excitement here, and yet there's still time for character moments and Wolfram & Hart terminating its psychics' employment contracts with extreme prejudice.

Angel continues to be excellent. I'm genuinely excited about the next episode.