Gen V: Sick

 "In my defence, he was a puppet at the time, so..."

Gen V has been a consistently excellent television programme throughout, but this penultimate episode- pretty much a finale in itself- is a particular triumph. The worldbuilding, the characters, the political subtext, the masterful switching of tone between dark humour, tragedy and emotion, is all done to perfection.

In terms of the characters, there are two main threads here. One concerns Cate, filled with guilt and knowing she has so much work to do if she is to earn back her friends' trust. Even we doubt her motives as she appears to succumb to Shetty's gaslighting, even realising that Shetty genuinely loves her as an adopted daughter. It's a particularly clever piece of misdirection as Cate eventually forces Shetty to reveal the truth- about the genocide virus, about wanting revenge for Homelander's killing of her family on that plane, about the entire uni just being a front for the Woods.And kills her, in a way that is particularly upsetting for Marie.

As for Marie, the episode gives us another bombshell: Marie's benefactor is none other than Victoria Neuman, whose powers are the same as Marie's and how she makes people'sheads explode. Neuman deals with the whole virus thing, making Dr Cardoza's head explode into the bargain... but what's going on with her? What does she actually want? The plot thickens.

Most powerful of all, though, is the reaction of the protesting students towards Neuman, clearly evoking slogans of the real world MAGA extreme right. And Sam, is seems, is in the process of being radicalised into supe supremacism. This is truly heady stuff. Supe genocide vs. supe supremacism, Nazis vs. Nazis...

Gen V: Jumanji

 "I fart the star spangled banner!"

I haven't seen the titular film, so no doubt there are all sorts of pop culture references I'm not getting here. Nevertheless... 

The B plot here is so, so sweet. Sex is often played for gross in Gen V and The Boys, but this episode has one of the loveliest sex scenes I've ever seen, as Emma and Sam make love. It's his first time, but Emma is so very understanding and makes it clear that there's no pressure. Bless her.

The rest of the episode, though.... oooh, it's dark. Also structurally clever, of course. How can we get the rest of the gang to give Cate the time of day ever again? By getting trapped in her traumatised psyche and get to understand, if not condone, what she did. Cate has a lot of work to do to even begin to earn back their trust... but it's a start.

We know what Cate did to her brother, but not how her mother proceeded to hide her away, unloved, for nine years, easy prey for Shetty and her bottle of pills. And there are parallels with Jordan who, we now see, made some dodgy decisions in going along with brink, and with Andre, who started sleeping with Cate while Luke was still alive. And then there's the parallels with Marie: her sister's rewaction is utterly heartbreaking.

But Shetty, the doctor, and that supe-killing virus... ouch. We've had two intense and character-based episodes, two superb bits of telly, but I get the feeling a lot is going to happen in these last two episodes.

Gen V: Welcome to the Monster Club

 "You're a ***ing monster."

Again, wow. Gen V continues to be simply extraordinary, but this week in an entirely different way to usual, with very little humour this time round. Instead we get character, real feeling, and a big, incredible reveal that makes us totally rethink much of what we've seen in the first half of the season. SPOILERS, obviously.

Therre's a lot of cuteness about Marie and Jordan, who still like each other after the night before. I continue to love the strong friendship that's developing between Marie and Emma, even as both of them develop further. Emma's mother forbade her from getting big, yet that's what's starting to make her popular. And Shetty, and Cardosa, seem to have plans for Marie, who has a "benefactor". Hmm. And Cardosa is close to creating a "virus" that will "control them for good". Sounds, well dystopian.

But yeah, the amnesia. Yes, it's a trope and we've seen it many times before in serialised telly. But the narrative is clever here, as characters forget, work things out from clues and forget again: narrative as unreliable narrator. It is, of course, a twist that allows the characters to avoid obvious consequences for the events of last week.

But the reveal- it was Cate all along, working for Shetty- comes asa massive, hugely effective and emotional shock. Gen V has deeply impressed me yet again. Sublime.

Gen V: The Whole Truth

 "You have a... a piece of eardrum on your shoulder."

Obviously, this episode is awesome. I mean, it's Gen V. I expect all future blog reviews will probably begin with words to that effect.

This episode is fascinatingly different, though. Despite last episode's... dramatic ending, this episode focuses on a cataluyst thrown into the mix to do things to the characters. A catalyst called Tek Knight, who has Daredevil-like powers to act as a sort of human lie detector, yet he uses said powers just to do a TV show and "investigate" crimes purely to cover up for Vought, "find a patsy and destroy their life". He'sa piece of ****, and spends most of the episode showing this to be true in various ways. His comeuppance, and humiliation, is hilarious.

So much happens, though. Emma and Sam really connect, and are sweetly devoted to each other. Emma is now one of the gang, after spending most of the episode being with Sam in a cute but surely doomed relationship, shows that, like Alice and like Henry Pym, she can grow larger as well as small. I would say wow... but I wasn't expecting Marie to get together with Joranin another cute little relationship between probably the two most decent people in this show.

This show is completely insane. I love it.

Gen V: First Day

 "That is really Freudian..."

Two episodes in and... this is just as good as The Boys. No wonder it seems to be doing very well indeed. It's the same mix of plot, character, satire and outrageous humour. I for one am loving it.

We begin with university leaders, and Ashley from Vought, cynically doing PR after last episode's explosive events. Marie and Andre are to get all the credit; Jordan just won't do in the red states, what with the "pronoun ***ery", as Ashley puts it. So Marie, who was to be expelled, is suddenly catapulted into the top ten, status, stuff, popularity. Will it spoil her?

She's a fascinating character. As Dean Shetty correctly says, she's determined to do good in order to atone for her past, and to win back her sister. She has genuine moral integrity, unlike may characters... yet this is in conflict with the ambition that is every bit as much a product of her past. As she tells Andre- who seems to understand- she's taking the luck that comes her way because, without it, people like her would have very bleak prospects indeed. Not all of us have superhero dads.

And so it's no surprise when, being interviewed on telly, in the end she does as she's told rather than give Jordan credit as she'd meant to. Her background is precisely why Vought can control her, good person though she is.

There's a parallel with Emma who, for the second episode in a row, is exploited and abused. Both of them are being used, and both have powers that are not pleasant to use. The parallel scenes of self-harm are revealing.

There's also some very dark humour with Cate's mind control powers, and she and Andre do some interesting detective work into the Woods. The two of them are fascinating characters too. This is bloody good stuff.

Good Omens: Every Day

 "You know as well as I do how badly understaffed Hell is right now."

Crikey, that was a busy final episode. And, in the end, it was very good indeed. I still maintain that this season started well, ended well but had a fair bit of filler in the middle, and perhaps one could criticise the pacing in that this last episode had an awful lot of work to do. But there’s no denying that it’s very good indeed.

It’s an episode about Armageddon and the desirability or not thereof, yes. But it’s also an episode about love and choice. We finally get to see what happened with Gabriel and… he stopped being such an arse and started to parallel Aziraphale. He lost his enthusiasm for Armageddon, started to plot with the other side to avoid it… and fell in love with Beelzebub. With whom he concocted a plan. 

All this, though, is riffing on the relationship between Crowley and Aziraphale, and their unspoken love, with heartbreaking results. The intervention of Maggie and Nina towards Crowley is mature and beautiful. They’re not rushing into their inevitable relationship, because this is reality, but it’s strongly hinted that happiness awaits them. Their own intervention, urging Crowley to tell Aziraphale how he feels, is far more grown-up than a Jane Austen ball full of shopkeepers.

But, despite Crowley pouring his heart out, and that kiss, happiness is not to be for Crowley and Aziraphale. Crowley is a realist, not cynical for the sake of it, and he is right to be equally wary of Heaven and Hell. After all, in the flashback, Metatron strongly hinted at “institutional problems”. But, alas, Aziraphale succumbs to temptation, not from a demon but from Metatron. A fancy title, a fancy office, a swanky job running a project known as “the Second Coming”… he’s learned nothing, in the end. Poor Crowley has no choice. In a sense, Aziraphale has become Gabriel, while Gabriel has become Aziraphale.

An extraordinary, courageous finale. Despite the high concepts, in the end, the point is that love needs principles. We can’t just give our hearts to those who turn out to be lacking in integrity. Crowley, in the end, is more moral.