Daredevil: The Man in the Box

 “This is your jungle. This is your blood, like it is mine.”

We're moving close to the end of the season and things are speeding up. An assassin tries to kill a departing Elektra, after flirting with her- and he was sent not by the Hand but by Stick. Frank Castle is on the loose and is seemingly on a killing spree... or is he?

Frank is seemingly assassinating everyone who he believes to have wronged him, starting, in an effectrively shocking scene, as Reyes confesses to being behind the sting gone sour and the cover-up, before being suddenly killed... with Foggy lucky to survive, showing the danger Matt's friends are in. And Karen, pursuing the sory as a reporter again, discovers that there are further targets- the doctor from the trial and herself. She's saved, in a not-entirely-unpredictable twist, by none other than Frank. So who is the killer?

All this is just plot, of course, exciting that it is. What the episode is really about is Matt's increasing isolation, deciding he wands "no more law" and "no more friends", despite Claire rather sensibly telling him that cutting himself off from normal life, justive, human connection and, indeed, sleep, is not exactly an awesome idea. 

We end this splendid episode with the hospital under attack from without by ninjas and from within from those blood-poisoned people Daredevil has just rescued, and both Claire and Foggy in peril. I bet that would never happen in a country with an actual health system...

Daredevil: Guilty as Sin

 "This is who I am."

I think it's probably fair to say that this is an eventful episode. Matt and Karen breaking up and Matt and Elektra ending up together in more ways than one; Matt and Foggy ending up on bad terms; and the trial suddenly ending in disaster as Frank Castle pleads guilty out of the blue.

Oh, and Stick's back. With some semi-mythological exposition about the baddies- the Hand- in which he himself may have a starring role. And Frank, in prison, meets none other than a certain Mr Fisk...

It's a massive change to the status quo, but it works. The characters ring true, from the unddrdog Foggy- more competent than he knows- to the conflicted Matt, the severely damaged Frank and, most of all, the truly amazing Karen. And there are set pieces which showcase superb acting, from Jon Bermnthal's exceptional final speech as the Punisher to a standout guest appearance from Clancy Brown.

Yet the plot is also deeply intricate and engaging, with cool Hand ninjas threatening New York and police corruption seemingly manipulating the trial in ways that seem to be connected with Wilson Fisk. And Matt's realisation that he loves Elektra after all, after nearly seeing her die, is believable.

The season is really shaping up into a coherent whole know, with the Punisher, Elektra, Matt's complex personal life, the Hand and the Kingpin. This episode is an incredible bit of telly.

Daredevil: Semper Fidelis

 "Elektra is not the problem, Matt. You are."

Ouch. This is a hard-hitting episode which hits at the core problems with Matt/DD as her attempts to serve two masters, the law and vigilatism. This is an interesting dichotomy ideologically- as is shown by Matt's awkward response to Karen's question about what he thinks to the activities of "the Devil of Hell's Kitchen.

It's Frank's trial, Reyes is prosecuting, it's David vs Goliath and their chances are slim. So it really doesn't help that Matt is moonlighting with this Yakuza lead and neglecting the case. Foggy is right, when Matt admits it all to him, to feel furious, and that Matt is not reliable. And yes, he's right to accuse Frank of lying, not only to him but to Karen, who has a right to know that he's off doing stuff at night with his ex... especially with all that sexual tension between Daredevil and Elektra, and her confession that she took so long to return because she thought he was too good for her. And her unasked for attempt to help the trial ends up going very wrong indeed.

Karen is really blossoming, and proving to be awesome at research and the legal stuff. Matt suggests she might want to go to law school; I hope she ends up doing someything awesome... but she deserves something better than a man like Matt, who could never share everything and put her first.

There's a lot going on. Then we see the Yakuza are digging that massive hole. What...?

This is gripping telly, a real step up from what was already an impressive programme.

Daredevil: Regrets Only

 "Well, you can't mask that ass. I'd know it anywhere."

This is probably the episode where the season starts to click into place: we have a high profile trial for the Punisher, which is part of a series of complex power games by DA Reyes, while ol' Hornhead and Elekra have their own arc, separate at this point, involving the Yakuza, or whoever these Japanese criminals connected to Roxxon may be. The extended martial arts fight scene before the credits is awesome, as it the use of the Yeah Yeah Yeahs' "Date with the Night" as the Yakuza travel through the city on their cool motorbikes.

Matt is not exactly being unfaithful to Karen, with whom he has an increasingly heartwarming relationship: he makes it clear to Elektra that he's taken. Yet he's hiding from her the fact that he's doing stuff with his ex and, much as he makes it clear at the start of the episode that he wants Elektra gone, by the end the two of them are planning another mission for the following night... which, unless I'm very much mistaken, clashes with Matt's date with Karen. Awkward, and rather masterfully plotted.

Meanwhile, Nelson & Murdoch are representing Frank Castle at his upcoming trial as it's the right thing, on balance, to do, even if Reyes is going to absolutely crucify their firm for it. The scene between Frank and Karen, as they discuss his family and build a real connection, is incredible.

As is the season so far. This is a real step up from what was an impressive first season.

Daredevil: New York's Finest.

 "You're just one bad day away from being me."

What a piece of television here.

Obviously the focus is the foregrounded debate between Daredevil and the Punisher- handled badly, in my view, by Matt, with his very Catholic focus on redemption and good vs evil. But the debate implicitly extends, too, to Foggy and Karen, the real heroes of this episode, without a hint of violence. 

The debate is, of course, superb, as is Charlie Cox. But Jon Bernthal's performance is simply a revelation. He absolutely owns this episode. Yes, he has a cracker of a part, a superlative script to work with, and, frankly, all the best lines, but this is acting of the very first rank. And the whole thing is, of course, very revealing for both characters. Both grew up Catholic. Both are native New Yorkers in a city inhabited mainly by incomers. And both are, of course, vigilantes. But Frank angrily denounces Matt for his "half-measures", only to be weakly opposed by vague and dogmatic arguments about rehabilitation, which are easily and powerfully batted aside by Frank.

Frank is, of course, wrong. You can't just appoint yourself judge and jury, and executioners are always in the wrong, vigilantes or not. But Matt is entirely wrong about why this is. I don't deny the possibility of redemption; it's just that it's not the reason that Frank is wrong. No; the reason is that Frank is an angry man with a massive arsenal who has acquired the habit of killing. Yes, so far he seems to be killing only the guilty. But what if Frank, an unaccountable lone wolf, gets it wrong and perpetrates a private miscarriage of justice? And what if, short fused killer that he is, he kills an innocent who happens to piss him off or get in the way, as he seems tempted to do with the old veteran? It's only the matter of time.

Justice must be accountable to the people. It belongs in the public sector, always. I suppose the Punisher, in a roundabout way, can be seen as an argument against the private sector involving itself in the justice system. The justice system can be unfair, ineffective, maddening, stupid, choodse your adjective. But the alternative is the abyss of anarchy and the hell of a failed state.

Matt is on stronger ground, I suppose, when he alludes to the never-ending cycle of revenge, which led Aeschylus to explain why we need a justice system some twenty-four centuries ago. It's a pity he never pursues this. But then again, it's appropriate that Matt can't out-argue the Punisher. Because the argument is one against vigilantism, which is wrong anyway. It's brave of Daredevil to lean into this, and shine that harsh glare on its hero.

Because the real heroes of this episode are Foggy, preventing bloodhed in a hospital by words alone. Karen, doing awesome research and playing ten dimensional chess with Blake Tower by sowing doubts about his boss, and most of all Claire, a nurse, the biggest hero in this whole damn episode.

Yep. This is good telly.

Daredevil: Dogs to a Gunfight

 "Maybe we created him...?"

Again, there's so much going on in this gripping and excellent episode. We still see little of the Punisher, lreaving the rumours from terrified Grotto (and an equally terrified Karen, who hints at hiding secret guilt) to shape how we feel about this terrifying ogre figure.His only speaking scene- Jon Bernthal's first- has his buying illicit stuff from a black market shop... and giving the proprietor a beating when he turns out to be selling underage porn.

Yet the morals of this are fully explored. We may feel a brief instinctive good feeling about this paedo, who profits from and indirectly creates such unspeakable suffering, getting a beating. But is this justice? As Aeschylus taught us, long ago, we need justice and not vendettas. With vendettas- as the police sergeant notes- not only the guilty ultimately suffer. And then there' the cycle of revenge. Justice may be imperfect, corrupt, unfair... but it's better than vigilantis,

And yet, this being the case, what of Daredevil...? Here we face the hard questions: the differences between DD and the Punisher are only ones of degree. Daredevil doesn't kill, but he uses violent force unsanctioned by an accountable state. And then there's the question, horrifying to Karen, of the Punisher being a copycat killer.

We see another argument between Matt- covering for him yet again after his shooting- and Foggy re Matt's extra-curricular activities. We are reminded of the firm's dire financial situation. And we see the easy bond between Foggy and Karen and the equally close but more complicated one between Karen and Matt which again hints at possible romantic feelings. Yet we also see Karen beginning to suspect that Matt- and indirectly Foggy- is not telling her something.

We meet the District Attorney, Reyes, a hard bitch who tries to push Foggy around until he starts being awesome. I've never heard of Reyes, but her deputy Blake Tower is a familiar figure from the comics, so I rather suspect she's not long for this world. We shall see.

We end with the tension of Grotto being double crossed and used as bait for the Punisher, as the Punisher and DD fight...