Batman: The Sandman Cometh & The Catwoman Goeth

The Sandman Cometh

"Sweet dreams, Sandman."

It's incredible to think but, more than halfway through the second season and, indeed, more than halfway through overall, everything up to and including this story, broadcast on 28th and 29th December in the USA, was first screened in 1966, just one calendar year- and yet sixty-eight episodes and a movie were crammed into that time, which is extraordinary.

Also notable is that the wonderful Julie Newmar is back, probably by now having appeared enough times that she can finally be considered as one of the perennial returning villains. This is a very good thing, as Julie Newmar is sexy and awesome. Also awesome is the excellent Michael Rennie as promising new villain Sandman. And yet...

In teaming the two villains up- including a new villain who needs room to breathe- the result is that we feel short-changed with both baddies, neither of whom gets enough screen time. It's also obvious that Catwoman was crowbarred into an exiting Sandman script at a late stage, not a good thing from any perspective.

A shame, as the underlying story is solid, and this is far from a bad episode, just an overcrowded one. I love the character of J. Paul Spaghetti, but all Catwoman actually dos here is lie on a mattress while Sandman drives a plot clearly themed around him. What she does, unfortunately, with Julie Newmar being amazing, is completely ruin this promising new baddie.


The Catwoman Goeth

"Where's Robin?"

"Who...?"

This episode is better, with Robin in Catwoman's cramped looking maze and the hilarious sight of a run down factory being called "Run Down Factory"- and Batman getting into near-trouble for traffic violations. There's a rather perfunctory cliffhanger escape, but that's nothing new. I love the description of J. Pauline Spaghetti's previous husbands and their absurd deaths. We even get a by-now rare outing for the Batboat.

And yet we still have the same problem- Catwoman ruining what should be Sandman's story by outshining him. Yet again there's some delicious Batman/Catwoman flirting, and Alfred hilariously giving Batman a lift on his silly "Alf-cycle". Behind the ill-advised inclusion of Catwoman there's a decent couple of episodes here, but alas that's not what reaches the screen.

The Day the Earth Stood Still (1951)

"Holy mackerel!”

This is the second time I've seen this film; twenty years ago it blew me away and I'd still say it's superb and a uniquely thoughtful '50s flying saucer movie with a lot to say. But perhaps this time my eyebrow as a little more raised. I still love the film, but I can see its flaws.

It's still a very serious moral fable, with flaws that I'll get to later, which comes across as thoughtful and is superbly directed, with oe of the most effective flying saucers in all of cinema. But the characterisation... well, Klaatu is a bit of an arrogant dick (I'll get to that later too) but otherwise we have a bunch of characters who are essentially just ciphers, along with the most "gee whiz" kid in the history of cinema. And, well, let's just look at the plot, shall we?

Klaatu is from 250-odd miles away, so within the Solar System, if a little further than the suggested Mars or Venus, both plausibly inhabited by what was known in 1951. That being the case, you can sort of see how the fact that Earth has nukes and is starting to explore space travel might be seen as a threat. But expecting humanity to entirely expunge all aggression or face genocide? I mean, come on. I'm as big a wishy-washy liberal as they come but aggression will never be removed from human nature, nor is it necessarily always a negative or violent thing. And in threatening to destroy us Klaatu is not exactly occupying the moral high ground. That would be collective punishment, as blatant a war crime as there could possibly be.

Oh yes, and then he is killed by violent humans and resurrected by Gort in an obvious Christ parallel, something that has to be done thoughtfully to avoid being pretentious and, while I'm certainly not religious, I have to observe that nowhere in the Gospels, or so I believe, does Christ threaten to destroy the human race if they refuse to follow his teachings.

That aside, though, I genuinely enjoyed the film, honest! it's extremely well made, watchable, and while its message doesn't quite work it is at least about something. It also gave us the names for no fewer than three denizens of Jabba the Hutt's sail barge...