Creepshow (1982)

“Where’s my Father’s Day cake...?”

EC horror comics, although I’m sad to say I’ve never read any, are best known, unfortunately, for being the unlucky victim of that stupid quack, Fredric Wertham, whose genuine achievements in his earlier career were overshadowed by his ridiculous witch hunt against comic books. They are also known, of course, for two British portmanteau horror films by Amicus, one of which I’ve blogged. But this, more than anything else, makes me want to look at the source material. I love the linking comic book stuff by Bernie Wrightson.

He’s not the only “name” though; the legendary George A. Romero directs and Stephen King, no less, has here not only his screenwriting debut but a deliciously scenery-chewing acting role in one of the segments. Other interesting little points are an unusually menacing role from Leslie Nielsen and Adrienne Barbeau as the most annoying woman in the world. The whole thing is splendidly grand duignol and enormous fun, bookended by scenes of a tyrannical father stealing his son’s comic book and getting his comeuppance, setting both the tone and the style.

As ever with a portmanteau film some segments are better than others, although the tide one was a real highlight, but what works well here is the tone and sense of cheerfully grisly fun that pervades thecwjolw thing. This may not be the greatest horror film ever made but it’s thiroughly enjoyable to watch all the way through, and that’s a superb achievement . The spirit of EC lives on.

Airplane! (1980)

"I haven't felt this awful since we saw that Ronald Reagan film."

Obviously this is a true cinematic comedy classic from what would become the Naked Gun team, a harbinger of a style of humour that will prove successful and funny, time and time again. Equally obviously, it's a spoof of the many high profile disaster movies of the '70s. And, for my hat trick of pointing out the bleeding obvious, it marks Leslie Neilsen's great career shift from square jawed straight actor to the master of deadpan absurdist comedy.

Watching it today it's very funny, of course, but also very much of its time- a world where everyone smokes, Afros abound and there are copious references to disco and a recent war which is carefully not stated to be Vietnam. The cast are universally brilliant, but the standout turns are from Lloyd Bridges and the extraordinary Nielsen. The jokes about the captain being a pederast are a little disturbing, mind.

Often, as here, there's only so much that can be said about a brilliantly successful comedy, and I admit I'm probably not getting all of the pop culture references, but this is possibly my favourite comedy film not made by the Monty Python troupe. And that's high praise indeed.