iZombie: All's Well That Ends Well

"This is why the time of patty cake is over..."

Last night Mrs Llamastrangler and I bit the bullet. We’d been delaying seeing the last ever iZombie, because then it would be over. And we weren’t disappointed, although there was a lot to cram in. It’s not the creators’ fault, but would it really be too much to extend the running time beyond a paltry forty-two minutes...?

Anyway, we begin with half an hour of narrative in which all the plot threads are concluded and, although there’s a lot of dramatic tension (I love the moment where Liv, Clive and Ravi are caught on the plane- only to find the police officer to be on their side) and drama but things end as happily as the title implies. I love the way both Blaine and Don E end up down the well with Blaine’s sad for all eternity, rushed though the sequence inevitably is, and how we think for w while that Peyton may be dead after her fatal shooting although, of course, that pervert Blaine scratches her. We also have time to see Clive become a dad (aaah!) and Major’s heroic sacrifice to prove in live telly that the cure works; it’s not his fault that Ravi made damn sure he survived. And as for Enzo, his fate is poetic; the ultimate zombie racist dies human. It’s a pity that Durkins seems to survive.

But we then end with the coda, ten years later- a brave choice but one that pretty much works and gives happy endings for our heroes, perhaps a little trite but not unearned. Zombieism can be cured now so zombies are not a threat- is it that simple? At least Liv and Major are together. That kiss...!

Yes, it’s rushed. But within its forty-two minute constraints the episode works well. And I salute the firm decision, heralded by the title, not to go grimdark and have a defiantly happy ending. Wonderful,  and a fitting end to a series I will very much miss.

iZombie: Bye, Zombies

"We are in the South now. You don't put stolen jewellery in a black man's pocket."

The penultimate episode. Nearly there.

Confession time; this is a heist episode (it's too close to the end for murders of the week), and the pop culture references centre around Mission Impossible and Ocean's 11, neither of which I happen to have seen. Still, I'll do my best.

So Ravi sent the tainted Utopium to a scientist at the CDC in the hop of a zombie cure... and the money-grabbing bastard has realised there's more money in palliatives rather than cures. This is why state health services should always be allowed to veto this kind of evil. Anyway, the point is we have a pretext for Liv, Ravi and- after some persuading- a Clive who is touchingly emotional, to carry out said heist in a clever, entertaining and ultimately successful fashion with the help of some appropriate brains from the restaurant of a grieving Don E. It's splendid stuff.

It's the penultimate episode, though, so other arc threads are gently nudged towards their respective conclusions. After all, we have racist extremists for both humankind and zombiekind respectively trying to start a war. The nuclear bomb of Damocles still metaphorically hangs over the city. But not all is bad; Ravi gets to rub in Blaine's face that Peyton is his girl ("That was genuine cockiness!") which is cool and, I think, just on the right side of not being misogynistic.

Blaine reminds us, however, that, despite being the witty villain we love to hate, he is in fact an absolute ***, making Peyton genuinely afraid as he kills one of the Freylich kids and threatens the rest. I predict he's going to die. We also get the most touching grave robbing scene ever as Liv and Major remind each other that they like each other and kiss. Awww. Except... this is near the end and anyone could die. Could they...? Would they...?

While the heist is successful the episode ends on a grim note; Major is alone, a fugitive, in a New Seattle where he's been usurped by Enzo and the extremists are merrily warmongering. And he has to get some Max Rager from Fillmore Graves...

What an episode. What a season. What a series. One more to go...

iZombie: The Scratchmaker

”Let’s face it- we’ve all got a little monster in us.”

It finally happened; a Blaine episode, after his near-absence from the opening episodes. Following his downfall last week we now follow Blaine as he adjusts to his new reality- and survives, as he always does. Oh, there’s a perfunctory murder of the week with a matchmaker being murdered and Liv on match maker brain. But all this happens in the background. Other characters get their moments- now that Dale is off on maternity leave (I know they have shit working conditions in America- do they have that?) it’s fun to see Clive getting to sit in the big chair.

But this is about Blaine, stuck in a cell, forced to answer questions and, worse, his entertainment options limited to the TV edit of Snakes on a Plane in endless loop. He’s an evil, amoral, annoyingly witty man who we all live to hate, and this is probably the right moment to praise David Anderson to the skies for inhabiting this gloriously witty sociopath. iZombie without Blaine is a terrifying thought.

There’s a rather big change to the status quo here as it turns out Al is the niece of none other than Stacey Boss, who is behind all of this and planning to takeover Blaine’s brain business wholesale- successfully, although not without some cleverness from Major forcing him and his new sidekick Don E to lower the price. Interestingly,Blaine is left to think that the brain business has gone elsewhere, effectively coupled by Don E and his shadowy benefactor. I’m sure he’ll take it very well when he finds out.

All this and Major, who is on fire somewhat, has a bit of a mini-showdown with Durkins. Another splendid episode, then, and a final season which is coming along very nicely.

iZombie: Dead Lift

”You ever feel like you’re an unwitting tool of the prison industrial complex?”

It’s still all about the arc as we start the episode with last week’s supposed murder victim instead having a druggy affair with “Glenn from accounting”, the three kids being smuggled dodge arrest, and Major continues to receive flak for his hearts and minds approach from hardliners at Chase Graves. But he has a point- they NEED humans to be on side or New Seattle will collapse into anarchy. And, this being the final season, that happening is a very real possibility.

Of course, there’s a lighter sign. Liv on fitness guru brain gives us a splendid example of the usual humour, and if anything the script is even wittier than usual. But there’s a very real sense of doom as Dolly Durkins’ Dead Enders foment outrage for immigrants... er, zombies among the human majority. It turns out that her lot have fakes the viral video of the woman being murdered by zombies but, after a drive-by shooting in a Dead Ender hangout by zombies affiliated by Chase Graves, Major allows fake footage of their “execution” to go viral. Both sides are using fake news already. This feels very much like Trump’s America, complete with the moral dilemmas on how hard to punch a fascist, whether one should act with integrity when the enemy has none.

Peyton is trying to run Seattle in spite of bureaucratic inertia but Ravi provides not only great sex but also a great idea: an online comedy called “Hi, Zombie” to try and improve relations. It’s such a good idea that Peyton commits fraud in order to fund it, something which again muddies the waters and will in no way come back to haunt her. You can see not only the threads but the themes developing.

Of course, all this pales in awesomeness next to the sublime D&D scene. But this season has got off to a very strong start.