The Lord of the Rings- The Rings of Power: Doomed to Die

"Forgive me..."

"Win!"

More than seventy minutes for this penultimate episode, and there's not a Man, Wizard or Harfoot to be seen. It's all an epic chronicle of the siege of Eregion, with all its twists, turns and impressive CGI hill troll(!)... and we end on a very bleak note, with Adar triumphant, and Arondir seemingly dead.

And the dwarves, despite Durin's promise, cannot come to the elves' aid, lest Durin's ring-addled father continue to mine and awaken the beast beneath- the Balrog? The show likes doing these kinds of impossible dilemmas, but they're effective. Can Elrond's friendship with Durin survive? Surely this will cause the enmity between elvesand dwarves; I'd assume so.

The parlet between Elrond and Adar is nicely done too, with Elrond refusing Adar's terms even at the apparent cost of Galadriel's life... and that parting kiss. For this show, usually all about the epic scale and not the humanfor once we have a lot of effective character drama here.

Most horrifying of all, though, is the full force gaslighting of Celebrimbor by Sauron. Yes, he wins, sort of, by entrusting the nine rings to an escaping Galadriel, but what he suffers is truly horrid. Charles Edwards is simply extraordinary here.

The Rings of Power has at times been inconsistent, but this extra-long episode is a trimph of both visuals- it looks amazing, cinematic- and storytelling. I have high hopes for the finale.

The Lord of the Rings- The Rings of Power: Eldest

 "Harfoots, living in holes! It doesn't feel natural."

This seasoin has already kicked up a gear... but now this. We have Tom Bombadil, and he;s Rory Kinnear! Barrow Wights, which look amazing! ENTS!!!

But mostly we focus on a party of elves which foreshadow the Fellowship: we also have a Caradhras moment. And we end with Galadriel, foreshadowing Boromir, using herself as bait so Elrond and the others can escape from the orcs and warn Gil-Galad that Adar's orcs are coming.

Except... that means their mission to Celebrimbor is delayed, leaving plenty of time for the forging of rings...

And then we have the Stranger finding Bombadid, about whom we learn a few things- he is the "eldest", older that the stars, yet he can only offer wisdom, not act. The Stranger is rapt with respect for him, realising his own purpose: to defeat both Sauron and this Dark Wizard, who could simply never be allowed to join forces.

And then we have Nori and Poppy who discover more halflings, the Stoor. And they discover tragedy: the Harfoots once split from the Stoors looking for some non-existent Eden... and are wandering still. Ouch! One day, I hope they find their Shire. All this is beautiful, fairy tale stuff.

But then we have Isildur, Estrid and Arondir. Isildur and Estrid draw closer... until Arondir discovers the truth: despite their real attraction, she is one of the Wild Men. We have a brilliant moment with a CGI swamp monster... but the drama is palpable. We share Isildur's disappointment when she finds her betrothed.

And yet... ENTS!!!

This season gets better and better

The Lord of the Rings- The Rings of Power: The Eagle and the Sceptre

 "You're not my father..."

More good stuff here as Sauron's dark persuasive powers continue to bear rotting fruit. He convinces Celebrimbor to lie to Gil-Galad about the rings, but convincingly, playing on Celebrimbor's artistic pride like a lute, or whatever stringed instrument elves prefer to use. And the rings are the reason Durin finally makes himself apologise to his father. We end with the five Dwarven rings about to be forged- no doubt to save Khazad-Dum from the volcano. Yet at what cost?

We also return to Isildur. His adventures are many, not least with a convincingly horrible Shelob-like arachnid. Yet he meets a girl and connects with her- future wife, from whom Aragorn will, surely, be descended?

He also meets Arondir, who struggles to connect with the orphaned young Theo... unlike Isildure, who also lost hs mother at a young age. And the circumstances of how this happened tell us much about his drive to greatness. All of this is very good writing.

Yet the true drama is in Numenor, where we return for the first time this season. All episode we hear rumours about the unpopular, blind, Queen Regent, only for uproar and revelations to derail the coronation... and for the traditional eagle (why does it not speak?) to choose Pharazon instead. 

As with every episode this season so far, this is exciting, dramatic writing, and it's about a series of character who are all flawed in their own way. Compared to the first season, a lot seems to be happening, amd fast...

The Lord of the Rings- The Rings of Power: Udun

 "New life... in defiance of death!"

Wow.This is when Rings of Power really comes alive. I may not be a huge fan of battle scenes, but this is a proper, awesome, cinematic, Lord of the Rings battle scene. And I love it.

The men of the Southlands fight well, with Bronwyn and Arondir being real heroes. The tactics, and the ebb and flow of battle, work well narratively. It's hard to do this, yet the episode does it with aplomb. And verve. And CGI,

Yet the characterisation is superb, too. Isildur getting to fight as a soldier, and imprressing Elendil. The nobility of Bronwyn. Her romance with Arondir, Leo's attachment to the artifact- like Smeagol. The arresting interrogation of Adar by the deeply charismatic and awesome Galadriel- we learn that orcs were once elves, and that he claimed to kill Sauron. 

And then there's Halbrand... I don't think he's a king at all. We shall see. Yet he and Galadriel seem to find love in battle. Like Spartans without the gayness...

The conclusion is shocking, if CGI heavy. We know Galadriel, Elendil and Isildur must survive the eruption. But the others?

The Lord of the Rings- The Rings of Power: Partings

 "We set sail!"

This episode, and a fine episode it is- the start has been uneven, but there was much to establish. Thois iscan episode, a pivotal episode, one in which the forces of hope start to amass against the orcs, Adar, Sauron... and it's all about loyalty. Loyalty as a test.

The Stranger- now very clearly a proto-wizard, ahem!- proves his loyalty to the poroto-Hobbits by scaring away the Wargs. Others have it less easy. Elrond is torn between the honour of his oath to Durin and his Elven loyalty because mithril, apparently, is the ghost of a Silmaril (I know what they are!) and is needed to save the Eldar... yes, it's a word coined by Tolkien. but it makes me think of Space Marines and such. Bah.

The Men of the Southlands have conflicting loyalties. half of them, led by Waldreg, are bloody traitors. Arondir, bless him, is true, and will fight for the humans even if they will not fight for themselves. Bronwyn, heartbreakingly, is torn.

On the doomed Numenor, the queen shows admirable steel. Thev loyalty of Galadriel is not in doubt, though her fanaticism fascinates. The loyalty of the political class is not without cynicism, but true.Idildur, though... we know his name, and that of his fathervElendil, as the first two kings of Gondor, meaning Numenor must be doomed in the very short term. Yet he is portrayed, with all due melodrama, as a ne'er-do-well made good.

I have no problem with that. t describes myself. This episode oozes character, restrained wit and narrative skill.

The Lord of the Rings- The Rings of Power: The Great Wave

 "You have been told many lies..."

Halfway through the season, already, and things are getting ominous. I liked this episode a lot. 

Evil tidings aboung everywhere. Arandir is freed by Adar- an elf who seems to command the orcs- to deliver an ultimatum to the humans in the elf tower- surrender the Southlands to him or be crushed. Young Theo, fresh from nearly getting heroically killed, is told by a fellow villager, a sinister individual, that the falling stars some nightsago mean Sauron is coming.

Meanwhile, Elrond learns the dwarves are tentatively mining a new mineral- mithril, previously unknown. Yet the efforts almost end in disaster, and I sense that Durin's royal father will not live long. And the Dwarves know that Elrond is hiding something. It's all very friendly, but everyone is hiding something.

Most fascinating are the events in Numenor, as Galadriel hears the reason for all the suspicion; the royals have a seeing stone, one foretelling the fooding end destruction of Numenor. Isildur disgraces himself at sea. And yet... we know that "Elendil" was a battle cry for Aragorn, his distant descendent. And Isildur will achieve legendary things... I think he was called the first king of Gondor? But Gondor is on Middle Earth. I suspect Numenor is doomed, and soon. All these revelations are thrilling. The series has build up slowly, at times, but this episode really delivers the goods.

And, unexpectedly, Numenor goes to war with Galadriel, the Queen and Isildur among the troops. I'm excited.

The Lord of the Rings- The Rings of Power: Adar

 "The sea is always right..."

Wow. This episode has blown it all wide open. We are suddenly immersed in charactewrs we know from The Lord of the Rings, both the novel(s) and the films. Last episode we had Gil-Galad. Now we find ourselves in Numenor, a name I recognise, a Western island kingdom. Yet Galadriel and Halbrand are introduced to Elendil, the captain of the ship, and his son is a cadet... Isildur. We know these names. My memory is shaky, but will not Aragorn cry into battle crying "Elendil"? Will not Isildur found the Kingdom of Gondor? This is epic stuff. I mean, yes, I read the appendices to Tolkien's masterwork. But that was in another century.

We have conflict. The people of Numenor fought amongst the elves but now hate them. Why? The king was deposed for suppoireting them. Oh, and we have the bombshell that Halbrand is the exiled king of the Southlands... and that Sauron is building a base there. Is this a proto-Mordor?

We have brutal enslavement of elves, including Arandir, by orcs who are certainly shown to be evil, but not stupid. Arandir proves himself to be pretty awesome...but has to face "Adar". Sauron?

Speaking of Sauron, I thought the stranger who appeared to the Hsrfoots was him. I'm now fairly sure he isn't, and another theory is correct. I Shall be discreet, though...

This episode is MUCH better. I'm very pleased.

The Lord of the Rings: The Rings of Power- A Shadow of the Past

"We thought our light would never dim..."

 Fear not: Netflix problems are now solved and I'll be carrying on with Sandman alongside What If. However, I absolutely had to add this rather exciting little series to my schedule. I'll alternate all three until I reach the point, very soon, where I'm only able to watch one episode a week of this. That's the forseeable future.

I knew very little of this going in except that it was set well before the Third Age- the First Age, presumably?- and based on those appendices to Lord of the Rings that I last read at a very young age. So it was pleasing to see how well made this is, and hoe epic it feels, beginning with a bit of narration from Galadriel herself on the early days of Valinor, the centuries-long war (no doubt Tolkien's allegory for 1914-18), and the slinking away of Sauron and his orcs, leading to Galadriel's obsession. Galadrielis the main focus here, the Cassandra who insists Sauron is still a threat yet seems to be ignored, but we see lots of visual Elven awesomeness. We also get much of a very young Elrond... and finally get to meet the legendary Gil-Galad.

We also have some human villages, with elves still seeing humans as tainted from their erstwhile loyalty to Morgoth. So it's an interesting twist to have an elf- Arondir- in love with a human, Bronwyn, both of them going AWOL to investigate disturbing portents from the East of disease and decay.

Finally, we have the Harfoots, progenitors of Hobbits, recognisable similar but just a little wilder and less technologically advanced, with Lenny Henry excellent as their wise and troubled leader.

There's a lot going on, but the characters are alrewady distinct and clear, and thisall feels very big indeed. I'm already enjoying this.

The Mandalorian: Chapter 6- The Prisoner

“A lady never tells...”

This is the third episode in a row which puts the plot to one side in favour of a story of the week. I’m sure we’re all getting rather impatient by now, but at least this episode is a cut above the previous two, and has Richard Ayoade as a rather arrogant droid and a rather complex double crossing heist plot which feels, again, like something out of a Western.

Our man Mando used to run away with a rather interesting gang, played here by a nice little variety of character actors. Perhaps the most interesting of these is Xian, a rather flirtatious Twi’lek (why do no other Twi’leks look quite like Bib Fortuna did, with two proper gnarly tentacles rather than straight pointy ones?), but you can tell from the start that there’s no honour amongst these thieves, which makes them very different from Mando. Things go entertainingly wrong throughout with some superb directing throughout, with this episode again being shot like a horror film.

Meanwhile the smarmy droid has his own agenda with baby Yoda, but it’s never a good idea to try and shoot a toddler who is strong in the ways of the Force. This is one tough childminding gig. Mando certainly has guts.

We get clever plot twists, flirting, X Wing fighters and a gripping story. Fine. But can we get back to the arc now, please?