Ahsoka: Part Five- Shadow Warrior

 "I'm here to finish your training."

Yeah. It's fair to say a few things happened in this episode. I suspect it's one of those "event" episodes that may not much reward repeat viewings, but it packs quite a punch.

So, Anakin. I'm not sure where that otherworldly plane is supposed to be: clearly, in the "real world", Ahsoka is in the water, and needs to choose to live to be rescued. But the "training" scenes with Anakin, most of them flashbacks to the Clone Wars, are utterly absorbing. I won't pretend to have the answers, but I think we're being shown that Ahsoka is being held back by her worriesabout in some ways becoming what Anakin became. 

Then there's the extraordinary ending, as Ahsoka uses the awesome (and I mean that in the old-fashioned sense) Purrgil to jump across galaxies... hopefully to the right place.

Justas good as any of this is a nice little character moment, though: Huyang tells Hera that she takes these big risks because she cares, which is why people like her. Indeed. She is now going to face the music with the Senate while Ahsoka goes gallivanting about in other galaxies. Ahsoka has big moments, but doesn't forget the small character stuff. This is getting very good indeed.

Ahsoka: Part Four- Fallen Jedi

 "You know how it is. Once a rebel, aslways a rebel."

SPOILERS. Unless you've seen the episode, read on at your peril. You have been warned.+

Nice title. Has there ever been a pun that works on so many levels? Let us count them. Sod it, let's give this blog post an unorthodox structure, shall we?

1. We begin with Ahsoka and Sabine having literally fallen from the sky, their starshift lost in the woods.

2. Sabine, who has only just become Ahsoka's padawan again, gets a test of her mettle in combat, seems to decide not to try and use the force... but betrays her master to Baylan for the promise of meeting Ezra Bridger again, putting her feelings before the greater good. This is not the Jedi way. She falls at the first hurdle.

3. Ahsoka literally falls off a cliff, to what may or may not be an afterlife- I'm a little confused of the chronology, and I've not seen either Clone Wars or Rebels. Looks like I need to. Anyway, what's he doing there? Hayden Christiansen playing him again, no less.

I've no idea where this is going, but I suspect Sabine is not destined to be a Jedi. I loved Here's rebellion, general or not, with all her mates. And I love that the baddies have actually made the jump into this other galaxy. Big revelations can probably be expected not the series has taken such a massive change of direction.

I'm also loving Rosario Dawson's assured performance, and the superb comic turn from David Tennant as Huyang. What was already a dam good series is now, er, even damn gooder.

Obi-Wan Kenobi: Part VI

 "It's not about us, is it? It's about you and him."

This is the perfect finale to a series which, well, has no pretensions to greatness in the same way as The Mandalorian, and could be fairly well described as what we Doctor Who fans call "fanwank", in that ot's the sort of thing that a talented fan might do as fan fiction, only on Disney Plus. That's what this is. It isn't high art. 

But there's nothing wrong with not being high art. Not being a clever pastiche of a Western like The Mandalorian is no crime. This isn't great, but it's bloody good fan service, and that's ok.

So I'm going to sing the phrases of this awesome final episode. It's jolly good, after all. The fight scene between Obi-Wan and Darth is superb, despite how predictable ot inevitably has to be in a serial where the scaffolding of continuity already exists. The scene where Vader's mask is punctured, and Hayden Christensen's voice replaces that of James Earl Jones, is effective. Somis the late moment where the Emperor (77 year old Ian McDiarmid) rebukes Vadervfor his obsession with Kenobi, conveniently enabling to eke out an existence on Tattooine until Star Wars.

Reva's redemption arc is touching: I hope we see her again. Unable to kill Anakin's son Luke as revenge, she is freed from the prison of her past, and able to be who she wants to be. This is a powertful message; abuse as a child or young person need not define you as a person.

The parting between Obi-Wan and Leia is lovely. And it's incredibly predictable- as is much in this episode, not that it's a bad thing- that Qui-Gon Jinn's ghost shoud appear at the very end.

Ah, thos is fanwank, pure and simple. But fanwank doesn't get better than this.

Obi-Wan Kenobi: Part V

 "Was beginning to think you weren't coming, Master..."

SPOILERS!

This  is the finest episode so far, full of both excitement and character stuff between Obi-Wan, Darth and the mysterious Reva, who in the same episode is made Grand Inquisitor, which will annoy lots of people, and has her origin revealed. It is at once an impressively jaw-dropping revelation and an apparent plot hole: how the Hell can a former youngling have managed to become an Inquisitor without arousing suspicion?

Tala, too, gets an origin reveal of sorts, confessing at her past complicity oin atrocities, including upon force-sensitive children, which is why she has since dedicated her life to this proto-Rebel cause. It's appropriate that this moment should come moments before she atones with a heroic death in one of those tropes that often works despite the fact you can usually see it coming.

Obi-Wan gets to be a hero, with his new lightsabre. There's lots of Darth. We even get a meaningful flashback to their younger days, complete with actual Hayden Christensen. And we getr an interestingly ambiguous ending. This may not be grreat telly, but it's certainly good. And it's ok to just be good.

Obi-Wan Kenobi: Part III

 "He's coming, Master..."

Halfway through and, yes, this series is somewhat predictable in how it's padding out. It looks good, it's acted well, but the story is nothing ground-breaking, still, prepared to the work of Jon Favreau. But that's actually ok. This may not be awesome, or ground-breaking, but it's very good nonetheless. It's pure fanwank, but very good fanwank.

This is essentially about Obi-Wan trying to get Leia to safety without getting caught by Stormtroopers, and there are a lot of suitably dramatic tension-filled scenes. But it's also, from the first shot, in which Vader emerges from his flotation tank to put on his armour, about the countdown to a lightsabre fight between Obi-Wan and Vader, which is a huge event but which Kenobi essentially loses but survives- much like Luke in The Empire Strikes Back.

The chemistry between Obi-Wan and Leia here, moving realistically from wariness to mutual affection, is brilliant, and makes us see her message to him in Star Wars quite differently. But the cliffhanger is deeply horrifying, as it should be. And I love the deliciously petty power struggle between the two Inquisitors, and the real sense of political divisions over order vs freedom now the Empire is in charge.

It's also great to see Indira Varma, who was superb in Torchwood and is superb here, and it's especially awesome to hear James Earl Jones. This may not be original stuff, but I'm having fun with it.

Star Wars Episode III: Revenge of the Sith (2005)

“So this is how liberty dies- with thunderous applause.”

The Star Wars prequels have, to put it mildly, a mixed reputation. And yet, having now rewatched them all, I have to concur with the emerging critical consensus that they are, in hindsight, admittedly flawed but perhaps also much better than their reputation.

It is, perhaps, unfortunate that the first film of the trilogy should be the most problematic. The Phantom Menace has a solid concept hiding behind a flawed structure and a less than charismatic cast. Yet these teething troubles are left far behind by this concluding instalment.

To a degree the whole concept is the film is, I suppose, pure fan service. It exists, by definition, to follow a gap in backstory between the prequels and the original trilogy. And this it does neatly, with loose ends cleared up in the final scenes, perhaps too neatly. It’s all very smoothly done, albeit with the odd necessary retcon: didn’t Leia reminisce to Luke about their mother in Return of the Jedi?

But the film is more than this. It’s an extended study of a person, Anakin Skywalker, who is played rather well by Hayden Christensen, a far better actor than his reputation. But Ian McDuarmid owns the film utterly as the seductive Palpatine, dripping poison in Anakin’s ear and ultimately corrupting him. And there are depths here. Palpatine is Augustus- not a military man but nevertheless destroying his Republic, institution by institution, until he is suddenly being referred to as emperor. There are rich themes here, echoing late Republican Rome but dealing with questions of security versus liberty- you can tell the War on Terror was a live issue- of constitutional liberalism versus convenient tyranny, and of the philosophy of the Jedi, shielding themselves from attachment because that way lies “jealousy” and therefore “greed”. But does this emotional equanimity not itself lead to callousness, itself a weakness?

This is a surprisingly deep film. Plus there are so many coolest pieces including Count Dooku fighting Anakin and Obi Wan with lightsabers (Christopher Lee is eighty-three here); General Grievous and his four lightsabers; Yoda versus the Emperor; and many more. But what will stay in my mind will be Padme’s horrified rejection of what Anakin has become. A brilliant, entertaining and surprisingly deep film.

Star Wars: Attack of the Clones (2002)

“I’m programmed for etiquette, not destruction.”

I tried to like The Phantom Menace but, while I found a good concept at its core, I didn’t entirely succeed. This time around, despite a couple of uncharismatic leads, I was surprised to find a film that was pretty damn good.

Ewan McGregor, though a good actor, is far too hopelessly miscast and awkwardly stiff as Obi Wan, a problem which remains. I didn't find Hayden Christensen t all bad as Anakin, despite his reputation, and his acting is sound- but he just doesn't have the charisma. These two aside, though, we have an engaging cast led by Natalie Portman, a superb baddie in Christopher Lee, and a bigger role for the Jedi council. We also have an exciting and well structured film that both cleverly moves the plot arc forward and convincingly develops the characters.

The main arc- the beginning of the clone wars and Palpatine assuming more power, chipping away at democracy in the beleaguered Republic as he ostensibly increases its security with a clone army-hints at an old tension between liberty and security, and it's clear that Anakin, influenced as much by Palpatine as his actual mentor Obi Wan, is on the side of the authoritarians. Yet I'm surprised more is not made of the Roman parallels- a Republic with an overstretched web of territory becoming more and more swayed by the necessity of a strong military, and even a popular politician manipulating himself into the position of Dictator, like Caesar. The political skulduggery is very well handled indeed.

Yet so is the gradually and convincingly developing romance between Padme and Anakin, which is entirely believable. And Anakin begins as likeable and not really a bad bloke- what's wrong with reasonably questioning authority, having a sexuality, being idealistic? And his only sins here are the urge to protect his mother and the woman he loves. It's only when he slaughters the Tusken Raiders as revenge for his mother, including the children, and when he lets slip his authoritarian leanings, that hints of darkness begin to appear in him as they do with the Republic itself.

But there's also plenty of action throughout, some good comedy with C-3PO and R2-D2, and some actual wit and humour in the dialogue, a joy to behold. We even get to see a cool, Kiwi origin for Boba Fett (not named here as a Mandalorian!), a lightsabre contest between Count Dooku and the awesome Yoda, and a confrontation scene between legends Christopher Lee and Samuel L. Jackson.

I think I'll come out and say it; there are a couple of flaws, yes, but the second of the prequels is a bloody good film.