Loki: Glorious Purpose

 "The last thing I want is a throne."

SPOILERS, obviously. I mean, this is not only the season finale but surely ends the show for good, two seasons to tell one complete stiry and then stop.

Loki begins and ends with an episode called Glorious Purpose; the snake eats its own tail. But look how far Loki has come, a triumph of character development from the writers and from Tom Hiddleston. In the end, Loki is truly a god from a myth, sacrificing everything so that a whole multiverse of infinite timelines may live and countless people may live. Last episode he confessed to Sylvie that he was motivated not only by altruism but by fear of losing his friends, of loneliness. So we know that his sacrifice, meaning perpetual loneliness, is meaningful and a final redemption.

And this is all beatifully mythical- Loki, for all eternity, alone on his throne, sacrificing everything. There are obvious echoes of Christian mythology, of course, but far more of the old myths. It's a different pantheon, but this evokes such things as Apollo driving the Sun across the sky in his chariot every day. It's appropriate, then, that the new loom should reveal itself as Yggsdrasil, the World Tree. The ultimate Ragnarok has been averted.

So yes, much of the episode is timey-winey fun evoking such things as Back to the Future, and it's brilliant. But there's real depth here, and character. Not only Loki; Mobius accepts he needs to leave the TVA and discover who he really is. We even get to see He Who Remains being sincere with Loki and, while we can't accept what he stands for, we can understand his motives. He's not evil, but genuinely focused on what he sees as the greater good. Jonathan Majors is extraordinary as ever here, with HWR and Victor Timely being crucially different performances.

There's so much subtext here, too. I'm barely scratching the surface. There's a lot about free will vs. determinism which is at once timey-wimey and philosophical. There's lots of great comedy in the timey-wimey scenes ("I'm not questioning your surprisingly advanced engineering skills..."), beautifully performed. There's an ambiguous end for Renslayer. And, in the end, there's what appears to be a stable multiverse. This, I'm sure, is at the heart of this phase of the MCU. More than that, though- episode, season and series- this is utterly magnificent.

Loki: Science/Fiction

 “Reality isn’t what you think it is.”

So, last episode painted everything into a corner. It gave us the ultimate cliffhanger: everything is over. Where now? It reminds me in broad terms of the end of Steven Moffat’s first series of Doctor Who, but it is very much its own beast. This is an excellent piece of television. Also, I approve of the point made about the Velvet Underground being a literally earth-shaking band.

So Loki, already established as time slipping- with an effect that suddenly reminds me of the fate of poor Victor Timely- spaghettied. I suppose being a God helps. 

And so Loki goes on his journey to the main timeline lives of all his friends- Hunter B15 the community doctor; Mobius the single dad jetski salesman (what else?); Casey the bank robber escapee from Alcatraz (what?!); OB the physics professor and aspiring science fiction author. It’s all good fun, though hard to see where all this is going.

Then Sylvie. And that wonderful scene in the bar. The scene that starts by laying out the ideological oppositions of these two variants of the same person. Both believe they support free will, free agency, yet these concepts are not easy to apply to a slippery, timey-wimey multiverse which is somewhat unstable.

Sincere though both are, though… both are selfish. Sylvie wants her humble life in Oklahoma. It’s not much, but it’s human. It’s happiness. It’s what she’s always dreamed of. For Loki… for the first time in his life, he has purpose through friendship. The trickster god need not be alone. I’m not sure this quite works with the character’s history and nuance… but there’s enough sleight of hand.

So all hope lies in time-slipping Loki TL rewrite the timeline. There is hope.

Except… the first scene in the “previously on” very much seemed to me to suggest that He Who Remains is indeed manipulating all of these events.

Superb telly, in case it needs reiterating.

Loki: Breaking Brad

 "We're all gonna die! Oh, hey, pleased to meet you."

This new season continues to be very good indeed. In fact, thus far it's the best Disney Plus Marvel show for some considerable time.

Ostensibly there's a lot of plot. Loki and Mobius need to find Sylvie, so they inyterrogate Brad, an agent working for Dox who may have found her, and said interrogation takes up much of the focus.

Except the interrogation is not the point: it's really aboiut the amazingly deep friendship and rapport that has built up between Loki, a god and a bureaucrat, who have really bonded to the point that Loki can relate... well, the plot of an episode of What If? (nice touch) while Mobius can express his fears aboiut finding out what his life would have been on the original timeline. I'm fairly sure jetskis would be involved.

Eventually we end with truly horrific scenes of Dox and her crew carrying outb their mission- not, as we'd thought, to find Sylvie, but to prune all the new timelinesband therreby slaughter untold quadrillions. We can sympathise with Sylvie- a goodess, albeit never having lived like one, who has found happiness in 1982 Oklahoma working a dead end job. A normal, humble life is heaven for her.

Last erpisode was about awesome concepts. This episode, while advancing the plot, reminds us that this show has such deep characters and such bloody good actors. Top telly.

Loki: Ouroboros

 "I need a Loki who remains!"

Yep, this is bloody brilliant, all right.

We ended last season on a big reveal and a big dilemma: to kill He Who Remains... let's justcall him Kang, ok? To kill Kang or not to kill Kang? Kill him, and his TVA will no longer prune the other timelines, meaning countless quadrillians will not be murdered. But does this mean inevitable multiversal way with multiple Kangs, and extinction? Yeak. Tough choice for Loki. So Sylvie makes it for him.

A lot happens here, not least with Loki slipping between what we learn is not different realities but the TVA in the past and present. It seems Kang has been changing things over the millennia and wiping everyone's minds, again and again. And the TVA, led by a general and a judge we haven't previously met, are having to face this new reality. It's going to tke a while to see how this all shakes down.

We end with an exciting action sequence which really shows us the genuine friendship and bond between a much-changed Loki and Mobius. Well, esxcept for the post-credits sequence with Sylvie in a 1982 Oklahoma McDonalds, which is a whole other thing, but the characterisation here is superb, as is the humour. This is a supremely well written, acted, directed and designed piece of television. I'm excited.

Loki: Glorious Purpose

 "What's a fish?"

"How do you not know what a fish is?"

This  is an extremely promising start: indeed the finest opening episode to any Marvel TV series yet. It's far from an obvious idea to pair Loki with the semi-obscure Time Variance Authority, a nice little semi-satirical creation of Walt Simonson, but it really, really works.

The interrogation scene by Mobius, while its point is as yet unclear, is an excellent opportinuty to stop, explore and indeed psychoanalyse the character of Loki, adding depth to him as a person. The moment when he gives up on escaping because he realises he's temprally homeless is deeply affecting.

Yet it's the concept of the TVA that fascinates. It raises all sorts of philosophical questions of predestination and free will. It also introduces us to the concept of the multiverse, and that an authority exists- its origins rather murky- to ensure there is only one "sacred" timeline. The '60s-'70s office style is delightful, as is the fun little exposition video. The concepts, the humour and the characterisation are all superb. And I'm full of questions about the background to the Multiverse and the TVA.

More please.

The Mandalorian: Chapter 4- Sanctuary

“Stop touching things!"

A bit of a change of pace, here: our protagonist has suddenly burned loads of bridges and is looking after a child with a huge bounty on it's head. No wonder that he spends the episode on an out-of-the way episode hiding from what is, in effect, the season arc.

Much of this episode I like, including bounty hunter Cara, the cool red-eyed and menacing AT-ST which is shot like a monster in a horror film, and the doomed romance between our protaonist and the village woman. I like the way there's a third world but chilled and pleasant looking mud hut village in this futuristic world, and the cuteness of Baby Yoda playing with the other kids. But, well, there's a "but" coming.

The opening flashback sequence set in this very village- is this of our Mandalorian himself, showing what happened to him before he was found by Mandalorians, or is it perhaps a less literal parallel? And why, in protecting the village from these baddies with a badass AT-ST, does he not use his ship? He may not want to attract attention, but the agreed upon plan has that effect anyway.

Nonetheless, we get some nice moments, including the revelation that the Mandalorian hasn’t revealed his face to anyone since he was a teenager, and this episode more than any other gives a strong impression of chivalry and the ideals of knightly behaviour in a science fiction context, suggesting a meaning beyond an arty and well-made show which might otherwise nevertheless remain in its geeky ghetto.

But this, of course, is an interlude. Our protagonist and the pointy rated child must move on, and I suspect it’s time for the series arc to return. Again, good stuff, but a more flawed episode than the previous three.