Elizabeth (1998)

 "It is no easy thing to be loved by the Queen. It would corrupt the heart of any man".

Before I praise this wonderful film, I'll get a few criticisms out of the way. 

So... the opening text- in a terrible font, incidentally- misspells the word "fervent"and has "halfsister" with no hyphen. And the closing text has England as "the richest and most powerful country in Europe"... er, no. Pre-industrial England, indeed pre-agricultural revolution England, was a middling country whose population was never going to be as big as a France or a Spain- England, I suppose, was more of a Netherlands or a Portugal.

Also, a lot of history is telescoped into a short time and the chronology is inevitably off. William Cecil is shown asan old man in the 1550s and dismissed early in Elizabeth's reign. Francis Walsingham is spymaster and Machiavel from day one. And did the future King Henri III of France really wear dresses and have sex with his aunt, the Queen Regent of Scotland?

And yet, I think, we have to accept this as a creative necessity. History is not easily crammed into two hours of screen time without being adjusted to fit. And this film, text aside, is magnificent.

Too often, history in cinema is shot in a dull, staid, Merchant Ivory way. Not here. Shekhar Kapur uses light, colour, claustrophobia and perspective wonderfully. We open with a truly shocking scene of three martyrs being burned at the stake, the sheer horror of it all being emphasised. Mary's court is dark and without joy, Kathy Burke giving us a Mary who has always been the underdog, and even as queen is humiliated by her neglectful husband and the nature of the cancer that kills her. She is bitter, resentful... yet cannot sign her sister's death warrant.

Elizabeth's accession is symbolised by two flashes of white light. We see the aftermath of the bloody battle in Scotland via the camera panning across the River Tweed running with blood. The look of the film is exquisite. Yet so are the performances. Cate Blanchett is, of course, a revelation, but the performances of Joseph Fiennes, Christopher Eccleston and Geoffrey Rush are equally superb.

This film is a triumph. Just try and ignore the text.