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Sunday, 24 March 2024

Generation X (1996 TV Pilot)

 "No one's touching my butt!"

So this is a very, very obscure '90s TV pilot for a vaguely X-Men-themed series that never led to anything, mainly because the pilot is so awful. But it's fascinatingly awful.

I stopped reading Marvel comins around '93-94- I was sixteen, turning to other things, plus in hindsight I wasn't quite as enamouredwith how things were going, the shiny covers, gimmicks, endless first issues, the lack of respect shown to writers as opposed to big name artists who promptly sodded off to Image Comics anyway. But apparently this is based on a title from after my time, where a bunch of new mutants (no, not those ones) are taught at a secong, spin-off mansion by Banshee and Emma Frost, who is apparently a goodie now.

Apparently some of the characters are based on equivalents from the comics, although only those whose powers are easier to do on television. The only characters I know are Emma, Banshee and Jubilee... who, incidentally, is played by a white actress. Yeah.

What's frustrating here is that this is a concept that could have worked. There's nothing fundamentally wrong with the format or characters. There's some nice world-building, with the Mutant Registration Act, the lack of civil rights for mutants, and the sheer injusticeof it all, although it's not entirely clear to me whether or not Emma's "Xavier school" is known and sort of tolerated by the authorities.

No, it's basically just a really bad script for this pilot that makes it fail. The baddie, Russell- played by Max Headroom himself- is not related to mutants at all but just wants to control people through their dreams. Oh, and dreams exist in a "dream dimension" which is a real, physical place. And mutants have a particular sensitivity to said dimension for reasons of plot convenience.

Matt Frewer chews the scenery with aplomb as Russell, and is the best thing in this, at least being entertaining. But the tone is all over the place, as is Banshee's accent. None of the other characters are remotely likeable. There's a scene where a whole board of directors have a simultaneous fart and... yeah, it says a lot that this is probably the best scene.

Still, bad though this is, it's fun to watch, in a car crash sort of way.

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