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Sunday, 22 May 2022

Neuromancer by William Gibson

 I last read this novel in something like 1996. That was long ago, and the world has changed. We all live our lives, to a large degree, within the Internet, and it’s strange to see elements of this here, in the first major novel to predict the kind of technological future we ended up having. Not that it uses its crystal ball with perfection: this is a future very much forged in the anxieties of the ‘80s, with fear of nuclear war (a limited exchange took place in Germany but it rightly not much dwelt upon, corporate power and the rise of Japan. Everyone still smokes.

Yet this, along with Blade Runner, is the traditional starting point of Cyberpunk, perhaps personified by the cyborg, beshaded sexiness of the awesome Molly. 

Oddly, the tropes of cyberpunk- the cyborg surgery, the Matrix, the corporate dominance- are all very much fully-formed here, but they are primarily visual, and this novel is not. It is deeply clever and contextual but the prose style and narrative do not hold our hand. This is a supremely effective prose style but one which leaves much to the reader. It is also a prose style that would simply confuse and annoy if used by a lesser writer- as it would be, often, in the following decade.

This novel is at once cutting-edge cool and rather difficult. You can definitely see the much-discussed influence of William S. Burroughs. There’s a reason that a novel so famous has never been filmed: much of it takes place in confusing, abstract and dreamlike landscapes. It is, nevertheless both phenomenally important and a work of pure genius.

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