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Friday, 19 November 2021

Black Moon (1934)

 "If I ever find him in the house again, I'll have him whipped."

This is... well, a very racist film. We're not talking a few dated attitudes, we're talking the whole hog. It's not Birth of a Nation or anything: it doesn't emanate hate. It's just... well, first things first.

This film isn't anything special, but for a B kovie of the time it has a somewhat impressive director and cast, starring noless a figure than Fay Wray. It's well shot, with some impressive sequences, but also manages to be both slow and too rushed at the end. If we ignore the implications of the film being about a handful of white people being surrounded by thousands of hostile Black "natives" and their weird voodoo, there's a fairly effective threat.

However, you see the problem. The setting is an island in the Caribbean, based on Haiti, There's a comedy Black American Uncle Tom figure, and every other black character is a creepy Voodoo savage. The white patriarch at the centre of the island lives in a "plantation" and his white underling, killred fairly eaerly on,is an "overseer". It's clear that this family, which takes pride in having ruled the island for two centuries despite six uprisings and "not running away", once ran a brutal slave regime and its morals in 1934 seem little better: Dr Perez actually utters the line quoted above. The Black population of the island are called "natives", glossing over how and whythey came to be on the island. The original sin of slavery, and its horrors, are completely glossed over. Just othering the Black population like this, and treating the white family as virtuous, is extremely problematic. None of this is deliberately hateful, and I'm sure would not have caused the disgust in 1934 that Birth of a Nation did in 1915, but it's impossible to ignore.

The social attitudes of the time permeate everything. FayWray's secretary heroine is besotted with her married boss but "won't live in sin", and spends the whole film acting out all the features of traditional feminine virtue before, it's implied, eventually marrying Stephen. And it's not usual for a film even of this vintage to be so utterly alienating in its attitudes. Still, it's a fascinating curio from a very different time in a way so many films from the same era are not.

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