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Monday, 2 December 2019

The Box of Delights: Where Shall the 'Nighted Showman Go?

"I think it's the purple pim!"

Ok, now this is getting delightfully weird. The cliffhanger reprise sees Kay, having flown on his white horse, inside Arthur’s camp at some undefined mediaeval (Arthurian?) time and he’s asked to pitch in with a sword and defend them all against wolves. I’m sure there’s all sorts of symbolism here, and I’m wondering about the name “Kay”, very Arthurian.

But then it’s escape out of that “picture” to Cole, and some exposition. The box belongs to “Master Arnold” but Kay is to keep it safe. It can make him “go small” or “go swift”. Come only knows the “old magic” and is vulnerable to the “new magic”. All very intriguing and atmospheric. This is getting really good.

Things remain symbolic and weird as Kay and his friend Peter see Cole kidnapped by that dodgy pair of curates. Yet Cole phones them at the police station to say he’s alright- somehow we know that can’t be him. Incidentally, it’s surreal that the Inspector is in fact Superibtendent Strange from Inspector Morse with a Mummerset accent...

Caroline Louisa is away and incommunicado, leaving the maid in charge- has something happened to her? And when Kay looks into the box he sees a figure he recognised as Herne the Hunter, superficially a forest ghost but really a rich legendary figure, Lord of the Wild Hunt in all of Germanic Europe, and actually Woden. These may no longer be “pagan times” but the old gods are not forgotten.

And I had a jolt of memory- I remember that cartoon where Kay and Herne jump from animal form to animal form, with predators always being there. It’s awesome, and has brought back a long buried memory from when I was seven. Wow. And I’m appreciating more and more the great sense of using cartoons to remove the need for prohibitively expensive special effects.

This is awesome. So awesome, in fact, that I can accept that, when Kay shrinks and sets off to find the baddie, he can talk to an anthropological talking mouth in a terrible costume, and dodge some cringeworthy anthropomorphic rats. I don’t care. A programme this awesome can afford the off but of absolute crap like this. Never mind that we’ve never previously been made to suspect that talking animals might be a thing. I’m hooked.

This is awesome. I’m seven again.

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