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Sunday, 22 December 2019

Outlaw King (2018)

“I’m done with running and I’m sick of hiding!”

Time for a good, proper historical epic, I thought; it’s been a bit of a while. And what better, I thought, than this recent Netflix offering? Well, I’m certainly glad I watched this spiritual follow-up to Braveheart that deserves to be known for far more than its famous sex scenes.

As a historical epic the film works well- complex events over many years are successfully collapsed into a suitably dramatic narrative. The film looks convincingly like mediaeval Scotland as it would have been, with no tartan in sight. And Chris Pine is a charismatic and convincingly Scottish star. We get a suitably moustache twirling Edward I and a surprisingly a rather large role for the future Edward II, wisely not dwelling on his sexual orientation.

This is a superb subject for a film and it’s surprising it hasn’t been filmed more often- the extreme reversal of fortune shown by Robert the Bruce is intrinsically very dramatic indeed. The slow courtship between Robert and the devoted but fierce Elizabeth is wonderful and rings true, although the sex scene when they finally do it is startlingly realistic. You are certainly left in no doubt of the moment where he climaxes. Whether it was equally satisfying for her is, it seems, lost to history.

There are some moments that make one raise an eyebrow- would Edward I really have had access to the jealously guarded secret that was “Greek Fire”? It’s also strictly inaccurate to have the English royals and nobility speaking English, unlike the Anglophone Scottish nobles, but I think we can overlook that. What we have here is a truly impressive version of events which really, really needed to be made into a film. Highly recommended.

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