"It's the oldest question of all, George. Who can spy on the spies?"
Again the pace is positively glacial- plot-wise, Ricky Tarr reveals the presence of a mile high up in the circus, something Control knew about a good while ago, and Smiley is appointed to smoke out “Gerald”. That’s it.
But it isn’t plot that’s the purpose: this episode, an extended flashback with Hywel Bennett foregrounded as Tarr relates what happened, isn’t about that but about the pathos of Tarr, in Lisbon on assignment, coming across Irina, a Russian wanting to defect, and falling in love with her while trying to get out of her the big secret- there’s someone in Russia, known as Karla, who is running an agent called “Gerald” right at the top of the circus. And there’s more to it even than this; Irina is a complex character, with a deeply religious soul that thirst for meaning and the freedom to explore it.
And it is Tarr who almost certainly dooms her by reporting back to London in too much detail, and she is returned to Russia in circumstances which evoke the possible horrors and, indeed, martyrdom that await her.
Tarr’s broken reaction is real too, but not overplayed. And we find that only Smiley is brought back from retirement to which the mole, without involving the resources of the Circus itself.
It’s slow. It’s gripping. It stars Alec Guineas. This is extraordinary telly.
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