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Wednesday, 3 April 2019

The Maltese Falcon (1941)

“You... you imbecile. You bloated idiot. You stupid fat-head, you."

This film may be a remake, and I may have a policy of not seeing remakes before originals, but you have to draw the line somewhere; the original version of this is ancient and obscure, and in any case I’d say both are just different adaptations of the same novel so the argument doesn’t apply.

This film is, I hope you’re not surprised to read, jaw-droppingly good. I’m well-verses with the works of Raymond Chandler, but less so with Dashiell Hammett whom I haven’t read at all. The genre, and Spade himself, feel very much straight out of the splendid novels of Chandler, though; femme fatales; a jaded, cynical, witty but secretly moral hero; people trying to get along in an imperfect and sinful world; hats and/or cigarettes everywhere. And at the centre of it all is the sublime Humphrey Bogart. To my shame, this is the first film of his that I’ve seen. It won’t be the last.  And the entire cast is superb.

The film is brilliantly shot, too, by the young John Huston; there are some particularly brilliant shots. I noticed that when Sam picks up the phone to hear of Archer’s death we first see only the phone, then his hand. Only later do we see Sam’s face.

The plot is complex but clearly told and engaging; the dialogue is amazing; the characters gripping; the conclusion deeply satisfying. This is a movie everyone should see.

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