“I just don't like getting old!
This is an odd film, only loosely based on the F. Scott Fitzgerald short story on which it's based, which takes its central conceit- a man who is born old and lives life backwards- almost as an incidental detail at times and feels just as much, if not more so, a chronicle of the short twentieth century from 1918 to 2004.
The non-linear narrative is clever, as a dying Daisy has her daughter read Benjamin's diary to her as Hurricane Katrina approaches. Thus we have two perhaps unreliable narrators, gaps, different pints of view, a narrative which is never coded as neutral or omniscient. The fairytale quality is constant, from the haunting tale of the blind clockmaker who makes a clock to bring back his dead son to the reading aloud in the present day. Brad Pitt is an ok star, f an inevitable one for a David Fincher film, with Cate Blanchett outshining him a little.
Inevitably there's a picaresque quality, and the sense that the framing of the film, as a tragic love story between Benjamin and Daisy, is just one complex way of looking at that big, complex thing that is life. There's a rather interesting sequence in which Ben, narrating, details a huge number of ordinary human actions from various different Parisians that cause Daisy to be hit by a car and her ballet career to end. And yet, later, it turns out that Caroline was never aware of her mother's illustrious career. We lead multiple lives, all of us.
A thoughtful and philosophical film, then, if an odd one. But one that has, I think, a lot to say beneath its surface.
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