“I see dead people!”
I've spent twenty years trying, not very successfully, to avoid spoilers for this notoriously twist-dependent film. If you've been more successful than I was, PLEASE BUGGER OFF NOW, because it's impossible to talk about this film without spoiling the twist.
Right?
Right.
So... he's dead, isn't he? It's hrd to gauge how unobvious it would have been to the unspoiled, but the anniversary restaurant scene is devilishly clever, and I’m sure the big reveal at the end comes as a shock to the unspoiled; Anna has been distant with Malcolm simply because he’s dead and she’s been mourning him. It is, of course, totally implausible that it would never occur to Malcolm during those eighteen months that he might be a ghost, but I think we can accept that as a sleight of hand.
Beyond that, though, the film is very well made, with some highly effective jump scares with the ghosts, who are largely held back. As ever, it’s suspense that makes a film scary, not gore, and this has it in spades when it so chooses, even if the lighting and picture look so very late ‘90s. It also works brilliantly as a drama, with an impressive performance (and accent) from Olivia Williams but a truly magnificent and career-defining turn from Bruce Willis.
This film is superbly made. Perhaps not one for repeat viewings, as it is dependent on one big twist, but I see why it made the impact that it did.
Incidentally, I thought Philadelphia looked somewhat run down when I visited back in 2001, but this film makes it look beautiful.
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