Doctor Who: It Takes You Away

“I see the sheep have moved on. Probably off plotting.”

You know how I’ve spend the whole of the season so far whingeing that yes, many episodes are good, but none of them have wowed me? Well, with one episode to go, this season has finally gone and bloody done it. Ed Himes, you can write for Doctor Who again. This is a splendid fifty minutes of television. It still doesn’t mask some underlying issues with Chibnall’s reign, though; still no arc beyond very basic character stuff, leading to a sense of drift. And, while Jodie Whittaker is excellent as ever, it’s becoming increasingly obvious that her Doctor isn’t getting any character development.

Still, bravo. Big sci-fi ideas, for a start; a sentient universe that just wants to be friends but isn’t very good for the health of reality, and the subject of a bedtime story from one of the Doctor’s seven grandmothers to boot, plus of course the whole scene with the frog. It’s also about something; Hanne’s dad is a parallel bad dad to Ryan’s father at first glance, although he’s addled by grief and sees the error of his ways. And Graham’s own grief gets played with horribly by the “resurrection” of Grace. Yet the whole thing brings Graham and Ryan together sufficiently for Ryan to call him “Grandad”, an earned and powerful moment.

All this, and the lines about the sheep. And the flesh moths. And Kevin Eldon A’s a nasty, duplicitous demon. And the whole concept of “antizones”. And so much subtext I’m sure I’ve not even noticed half of it.  I don’t know if we’ll ever see another Neil Gaiman episode, but this is pretty damn close, and just as good.

And yet... it’s a one off episode, full of one off brilliant and a Doctor Who does Doctorish things but isn’t written with any inferiority. Sometimes it’s the exceptional episodes what make you worry about where things are headed.