"The bastard son of a hundred maniacs."
Well then. You can tell from the staggering number of years since I blogged the second film in this series that, as I said at the time, I was less than enthused by. I'm now far less likely to wait so long until the next one. This was bloody good.
We get lots of splendid visual horror from the start, well directed and making you jump, and this continues all the way through. But what really makes the film work is a solid plot based around a mental institution and fear of sleep and, in a film where Freddy Krueger is ever-present but appears surprisingly little- a successful formula- but the only disappointment here is that nasty Dr Simms doesn't die. And likeable characters do.
So what are my highlights? A very young Patricia Arquette? An early appearance by a young Laurence Fishburne? A rare Hollywood example of D&D being played? The delightfully '80s metal soundtrack by Dokken? The skeleton of Freddy Krueger resisting burial by means of stop motion? Probably the latter, but there are many. And the plot is actually quite gripping, and as twisty-turny as it is suspenseful.
Fellow Doctor Who fans: I believe that this is the earliest Hollywood film credit of one Rachel Talalay...?
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