Pages

Wednesday, 9 August 2017

Fifty Shades Darker (2017)

"I hope you're not a sore loser."

"That depends on how hard you spank me..."

I've already gone into detail about my misgivings about the abusive relationship at the heart of this trilogy- and again, it isn't the BDSM part that's dodgy- and nothing has changed on that front. But this film, admittedly, is less dull to watch and somewhat more entertaining, not that it's particularly good.

On the positive side it doesn't feel so much like a sequel as the middle portion of the story, and one which doesn't have to introduce any of  the characters and can just get on with it, avoiding the common fate of sequels. The directorial style, too, is different; James Foley hasn't quite given us the stylishness of Sam Taylor-Wood but the colours are not so washed out, which is definitely a good thing.

It's still a bit problematic to have a rich man as a wish-fulfilment figure, though, even if the BDSM takes a bit of a back seat in favour of a mild kinkiness- but it's disturbing to hear Grey state that he's not so much a dominant as a "sadist" who had a dodgy childhood and gets off on hurting women who remind him of his mother. In fact I'm not sure that this kind of background is at all conducive to being a suitable dominant. In real life I'd have a hard time seeing a relationship with any such figure as anything other than decidedly dodgy, however much money was sloshing around.

The film is well-acted. especially by the extra star wattage of Kim Basinger as Elena, however shocking her plastic surgery may look. This is not exactly a film with a great deal of intrinsic merit, but at least it's made well and is a marked improvement on its predecessor.

No comments:

Post a Comment