“You’re the first Dalek that ever got naked for me!”
It’s a brave move to start the Christmas special, where a greater number of viewers than usual are watching, many of them digesting large late lunches and just a little bit on the merry side, with “Previously on Doctor Who...” and a load of monochrome clips from 1966. But Moffat, in perhaps the last script he will ever contribute to the programme, dares to do it. Right after bringing back the Cybermen from The Tenth Planet he shows us bits of the story. Then William Hartnell morphs into an outstanding David Bradkey and, for the next hour, everything is brilliant.
There’s a lot more going on than a multi-Doctor story, of course, but it’s a joy to see one from the man who penned Time Crash. The repartee between the two Doctors is magnificent, and the running joke of the new Doctor’s admonishment of the old Doctor’s casual sexism is both nice social commentary and a nifty bit of foreshadowing. Yes, I raised an eyebrow at how the old Doctor- refusing, like the new Doctor, to renew himself- had a flicker of modern day orange regeneration energy, but some things are inevitable. But there are things to squee about- the old TARDIS, inside and out, “the Ship”. And, after all these years of Doctors with a number as a prefix, it’s great to see the Doctor again.
It’s an indulgence, perhaps, for Moffat’s old mate Mark Gatiss to be cast in his swansong, but appropriate; he excels as a man snatched from the point of death and knowing he must return. And it’s inevitable, appropriate and cleverly done that Bill should return. And the seeming enemy is linked to the Weapon Forgers of Villengard- a lovely little reference to The Doctor Dances and Moffat’s first ever story for Doctor Who. Then again, I’m tempted to see the plot resolution- there’s no real baddie, just a rather nice scheme to duplicate the Matrix on Gallifrey and ensure the memory of everyone who has ever lived is uploaded just before the point of death- as being a call back to the sort of plot Moffat used to write in the early days.
It’s nice to see the Doctors discuss their mutual fears of their impending regenerations, and it’s great to see the truly wonderful chat between Bill and the old Doctor; never mind what he was running from when he stole the TARDIS; where was he running to? The answer is that he wanted to find out why it was that good prevails, and he doesn’t understand that the reason is him, the wandering God, the perfect encapsulation of the outgoing showrunner’s philosophy.
We also get the return of an old friend from Into the Dalek, references to RTD’s old stomping ground of New Earth as a nice little tribute to Moffat’s predecessor, and of course a great big tribute to the Hartnell years to make clear that Moffat is in no doubt as to what he is; a custodian, standing on the shoulders of others, making his own huge contribution, and handing the show on to others. He’s undoubtedly a name to be spoken of on a par with Robert Holmes. If we never see him on the programme again, we shall miss him. And let us not forget the sheer personal sacrifice of dedicating seven very busy years to Doctor Who. Steven Moffat, we salute you.
There’s a nice further twist, of course- the Captain is one Archibald Hamish Lethbridge-Stewart. But then it’s on to the regeneration- with touching goodbyes from the uploaded memories of Bill, er, Nardole, and Clara, who manages to restore the Doctor’s memories. It’s a nice little update of the farewells from a Doctor’s companions prior to regeneration that was so fashionable in the ‘80s.
But the Doctor must die alone. And, ancient though he is, and weary of mourning so many friends and loved ones, he convinces himself that the universe sort of needs him and, after a brief farewell speech that owes a fair bit to Terrance Dicks he finally regenerates. The regeneration itself is awesome, but so is Peter Capaldi. Magnificent, and one of the great Doctors. And then... Jodie Whittaker gets to utter just two words and her first thirty-odd seconds are very, very Matt Smith.
Magnificent. Truly magnificent. Although I have no idea what the slightly sozzled not-we made of that...
I wonder if there is any truth to the rumour that this episode was going to have a scene showing the 12th and 1st Doctors saving Gailfrey in the 50th. The rumour is that 12 appearance in the 50th was going to be him starting to regenerate. In the trailer, there is a deleted line where 12 says, “we have an advantage”, 1 asks “what advantage?”. 12 says, “This time, there’s two of us.”
ReplyDeleteFunny enough, before this episode aired, I actually wondered if 1 encountered a future Doctor in the snow, during the time he separates from Ben and Polly and them finding him in the TARDIS during Tenth Planet.
I think the real problem critics (including myself) had with Moffat's writing for the First Doctor is not so much the sexist dialogue, but because that is all he is. He is not warm, compassionate, or humorous, all the varied things Hartnell brought to the role; he is just treated as a joke for non PC lines to speak. Also where was his "Hmmm?".
ReplyDeleteAnd whilst we’re putting the boot into the episode, why didn’t 1 ever think to ask for Ben and Polly's safety? Why didn’t he express concern to 12 that they were leaving Ben and Polly at the South Pole when the TARDIS left the South Pole the first time? And why didn’t the recreation of the tenth planet show Ben and Polly boarding the TARDIS to witness the First Doctor's regeneration?
I remember one of the theories leading up to this episode was that Mark Gatiss' character was going to turn out to be Gilbert Mackenzie Trench, the designer of the police telephone box in real life. Looking back, considering there was some controversy over the character being the Brigadier's grandfather, with it first being reported following broadcast that the Haisman Literary Estate was pursuing legal action against the BBC regarding the character (Haisman's granddaughter made a public statement that this was not the case and ultimately, they asserted their control of the backstory of the Brigadier, stating that Archibald was actually the Brigadier's great-uncle), I think this could have been a better idea in hindsight, as it would have been a nice way to reference the real life history that inspired the DW show in the first place.
ReplyDeleteGood to know that not all descendants of troublesome past writers are exactly Stef Coburn!
ReplyDeleteUsing Gilbert Mackenzie Trench (interesting surname, given the context!) would have been inspired, brilliant even- far more meta than what they ended up doing!